Results 31 to 40 of about 405 (138)
Adaptation or Historical Anomaly?: Partition Narratives and Their Visual Counterparts
NUML Journal of Critical Inquiry, 2020 This research accentuates the presence of multi-layered histories within partition literature and its adaptations as a historiographic mise en abyme— an interpretive multiplicity of historical narratives.
Ayesha Akram
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The patterning of obsessive love in Lolita and Possessed
Miranda: Revue Pluridisciplinaire du Monde Anglophone, 2017 Repetitions, doubles, and mises en abyme are a constant in Nabokov’s work and Lolita is one of the best examples. One of those repetitions in time and space has to do with Humbert Humbert going back over the times when he was happy with the nymphet in ...
Wilson Orozco
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RELATIONAL AMBIVALENCE AND THE CONSTRUCTION OF MASCULINITY: RE‐READING FREUD'S RAT MAN
German Life and Letters, Volume 79, Issue 3, Page 337-350, July 2026.ABSTRACT This article offers a close reading of Freud's 1909 case study ‘Bemerkungen über einen Fall von Zwangsneurose’ (‘Rat Man’). I build on Andrew Webber's observation that both psychoanalytic case studies and the literary genre of the novella use the exceptional case to confirm the norm.
Marie Kolkenbrock
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LE METADISCOURS EN GUISE D’INCIPIT : LA-BAS ET LES ENJEUX DU ROMAN [PDF]
Studii si Cercetari Filologice: Seria Limbi Romanice, 2011 Si le terme de métadiscours est devenu usuel depuis Harris (1959), son utilisation au sein d’œuvres littéraires peut être tracée avec davantage d’ancienneté.
Simon-Renaud Monsegu
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Il fuoco della favola. Romanzo e città nell'«Adalgisa» di Gadda
Griseldaonline, 2020 How does a narrator use that scenic, articulate and composite material that we call ‘city’? To give an example, how and to what purpose is Carlo Emilio Gadda’s page – stylistically brimful, and apparently scarcely narrative – named after a city (Milano)?
Riccardo Stracuzzi
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German Life and Letters, Volume 79, Issue 3, Page 419-436, July 2026.ABSTRACT This article considers how trans lives are mediated across literary, painterly and filmic registers in Paul B. Preciado's Orlando, My Political Biography (2023). My analysis draws on Andrew Webber's development of reading practices applied to intertextual works that also exhibit interpictorial and interfilmic dynamics in his reading of a scene
Lawrence Alexander
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Chevreuse de Patrick Modiano, ou la quête mémorielle d’un passé insaisissable
Quêtes Littéraires, 2022 C’est un topique des écrits de Patrick Modiano que de partir sur les traces d’existences disparues. Mettant en scène un personnage qui tente de se ressaisir de son propre passé menacé par l’oubli, Chevreuse se comprend comme une variation sur thème.
Marie Vergnol
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Orbis Litterarum, Volume 81, Issue 1, Page 1-10, February 2026.Zusammenfassung Der Beitrag untersucht Formen und Wege des Kulturtransfers zwischen Frankreich und Österreich, bzw. Deutschland, im Bereich der Pantomime, insbesondere unter dem Blickwinkel der „Texttheatralität“ (Poschmann). Bei vielen deutschsprachigen Pantomimenautoren ist die Begegnung mit der Pariser Pantomime, die 1888 mit der Gründung des ...
Catherine Mazellier‐Lajarrige
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De/Sedimentation: The Geopoetics of José Watanabe and Soledad Fariña
Bulletin of Latin American Research, Volume 44, Issue 3, Page 147-160, July 2025.This paper explores de/sedimentation as both a textual and geological concept through the works of José Watanabe (La piedra alada) and Soledad Fariña (PAC PAC PEC PEC) to examine how literary and material traces accumulate, erode and reemerge within the colonial Anthropocene.
Rosa Berbel
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Polyphonie narrative et heuristique dans L’Erreur de Cecil Saint‐Laurent
Orbis Litterarum, Volume 80, Issue 3, Page 239-268, June 2025.Résumé Dans cette étude, nous focaliserons notre attention sur deux éléments qui nous semblent essentiels dans le roman L’Erreur de Cecil Saint‐Laurent : le jeu des points de vue narratifs et le processus heuristique. Aussi, d’une part, et au niveau de la diégèse, nous pencherons‐nous sur la transgression des niveaux narratifs.
Daniela Ventura
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