Results 61 to 70 of about 405 (138)
The Shield of Achilles: From Metalepsis to Mise En Abyme [PDF]
The Shield of Achilles (Iliad18.478-608) can easily be qualified as ‘the mother’ of all ekphraseis, and scholarly interest in this passage has been massive. Scholars have mainly discussed three issues: the relation between the Shield and real shields; the relation between the scenes on the Shield and theIliad; and the method of description.In this ...
openaire +2 more sources
"Familiar Artifice": Ways of Telling in the Short Story, Psychoanalysis, and Alice Munro's "The Moons of Jupiter". [PDF]
Rizq R.
europepmc +1 more source
Voyage vers un "altro paese" :
Los Fuegos de San Telmo (1964) by José Pedro Diaz (Montevideo) is the account of a journey in Italy; the writer, who is also the narrator, was there to visit the village of Marina di Camerota, the birthplace of his uncle, an Italian immigrant who had ...
Raul Caplan
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Aux frontières de la fiction : l’avatar comme opérateur de réflexivité
Whether considered as an activity (play) or as an object (game), video games are marked by reflexivity: playing requires the adoption of a distanciated and metacommunicative attitude, and video games use a plethora of metadiscursive processes (metalepsis,
Fanny Barnabé, Julie Delbouille
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The ERC PuppetPlays project : contribution for a non-linear history of the European theatre. [PDF]
Plassard D.
europepmc +1 more source
The values of web archives. [PDF]
Schafer V, Winters J.
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In this paper we propose a detailed analysis of a quotation fragment inserted in The Flanders Road, the famous description of the centauress. This description functions as a mise en abyme : it reproduces « in miniature » the near total of the novel’s ...
Ilias Yocaris
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"And when will you install the new water pump?": disconcerted reflections on how to be a 'good' Global Health scholar. [PDF]
Borst RAJ, Wehrens R, Bal R.
europepmc +1 more source
L’écriture de l’autarcie dans Je t’offrirai une gazelle de Malek Haddad
Lucien Dällenbach distinguishes three types of intertextuality: the general intertextuality, the restricted intertextuality and the autarkic intertextuality (autotextuality). The autotextuality manifested by the “mise en abyme” present in Je t’offrirai
Nour El Houda ATOUI
doaj

