Results 1 to 10 of about 1,681 (64)

The Question of National Identity in the Multiethnical Sopron Through the Work of the Dalfüzér/Liederkranz (1847-1867)

Musicologica Olomucensia, 2023
Richard Taruskin describes the German choral movement as the hotbed of German nationalist unification, the musical precursor of a new nation-building ideology.
Rudolf Gusztin
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The Inter-nationality of Late Nineteenth-Century Budapest Quartets and Their not Entirely Prejudice-free Reception in the Press

Musicologica Olomucensia, 2023
Pest-Buda already had two permanent ensembles during the 1830s - the Táborszky and the Szervacinszky quartets; in the 1850s, ambitious programs, explicitly labeled as "quartet concerts," were performed by the short-lived Ridley-Kohne quartet. However, it
Zsolt Vizinger
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The National Theatre of Kolozsvár [Cluj] in the Network of Hungarian Theatre Companies (Mapping Theatre Towns in the Second Half of 19th Century)

Musicologica Olomucensia, 2023
The paper is focusing on historical particularities in close connection with spaces described in terms of geospatial mapping, as enduring places (as recognizable dots on maps).
Katalin Ágnes Bartha
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Power and Entertainment in the Shade of General Anton von Galgótzy - the Contribution of Military Music to the Cultural Life of the Przemyśl Fortress (1891-1905)

Musicologica Olomucensia, 2023
Although the subject of the Przemyśl Fortress has been incessantly popular for years, little space has been devoted so far to the merging of power and entertainment, whereas for the distribution of power the culture of leisure and its development was ...
Tomasz Pudłocki
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Boxholders at the Opera: Identity and Functions at the Theatres of the ex-Serenissima

Musicologica Olomucensia, 2023
This article sheds light on the identity and functions of the boxholders in the coastal theatres of part of the former Venetian republic at the turn of the 20th century, investigating which social categories were represented among them and in what ...
Cristina Scuderi
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Who Was Herr von Infeld, the First Teacher of Vilemína Nerudová

Musicologica Olomucensia, 2023
Data from birth and death registers, censuses of Brno 1850 and 1857, and Brno theater almanacs prove, the violinist Baroch von Imfeld, introduced to literature by Vladimír Helfert (1939), in reality never existed.
Radek Hasalík
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Father Carolus Weldamon (d. 1736), Canon Regular from Fulnek Monastery - Unknown Composer and His Music

Musicologica Olomucensia, 2023
In the collection of the University of Warsaw Library, there are three musical sources that testify to the musical culture of the monastery of Canons Regular of the Lateran in Fulnek. The paper focuses on three manuscripts (probably autographs) of sacred
Ewa Hauptman-Fischer
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Relokacja muzykaliów po II wojnie światowej – przypadek Pomorza Zachodniego

Muzyka, 2023
W pierwszej części artykułu opisany został proces zabezpieczania zbiorów bibliotecznych w powojennej Polsce. Na podstawie wcześniejszych ustaleń (głównie prof.
Tomasz Górny
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„Żądny wieńca Apollona”. Michał Kazimierz Ogiński jako muzyk w latach 1748–1761

Muzyka, 2023
O popisach muzycznych M.K. Ogińskiego zachowały się wyrywkowe informacje pochodzące z różnych okresów jego aktywności muzycznej. W artykule podjęto próbę zgromadzenia i uporządkowania danych dotyczących jego występów w młodzieńczych latach, w tym ...
Irena Bieńkowska
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Opera „Filozof zmieniony” Michała Kazimierza Ogińskiego w świetle nowych badań

Muzyka, 2023
Filozof zmieniony, komiczna opera o zabarwieniu dydaktycznym, jest jednym z pierwszych dzieł w tym gatunku w języku polskim. Po raz pierwszy kompozycja zostało zaprezentowana w karnawale 1771 roku w Słonimiu w teatrze nadwornym Michała Kazimierza ...
Irena Bieńkowska
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