Results 1 to 10 of about 78 (78)

Enhancing relevance and authenticity in school science: design of two prototypical activities within the FEDORA project

open access: yesFrontiers in Education, 2023
We live in a historical period that sociologists call the “society of acceleration”, where changes, mainly triggered by science and technology, occur over increasingly shorter time intervals.
Francesco De Zuani Cassina   +4 more
doaj   +1 more source

"Treasures from the Wreck of the Unbelievable" - archeologia jako element strategii artystycznej Damiena Hirsta

open access: yesArtium Quaestiones, 2020
The most important element of Damien Hirst's multimedia project "Treasures from the Wreck of Unbelivable" was the exhibition, presented from April 9 to December 3, 2017 in Venice, in the galleries of the Pinault Foundation in Punta della Dogana and ...
Wojciech Brillowski
doaj   +1 more source

The Blair Witch Project: Metatextual Layers of Subverting the Female Gaze

open access: yesCINEJ Cinema Journal, 2023
While recent scholarship has discussed the gendered subject/object relations within The Blair Witch Project and Heather’s victimization by the male gaze of the horror-genre’s camera, my work rebuts and clarifies the level through which this ...
Emily Moeck
doaj   +1 more source

Parodie, trawestacje, uwertury – znaczenie zabiegów stylizacyjnych w szkolnych etiudach Marka Piwowskiego

open access: yesImages, 2014
The subject of the article Parodies, travesties, overtures – meaning of styling treatments in Mark Piwowski’s school films are Marek Piwowski’s early, short films and the stylistic and parodic elements he used.
Katarzyna Mąka-Malatytńska
doaj   +1 more source

Digital animation, Pixar , Technological, Short film, La Luna, Hand-drawn artwork, Man-made texture, Computer-generated animation, 2D, Nostalgia, Tradition, Organic aesthetic,

open access: yesAlphaville: Journal of Film and Screen Media, 2015
Due to their clearly imaginary narratives and to the presence of animation itself, animated mockumentaries make the viewer aware of their fictionality from the start.
Cristina Formenti
doaj   +1 more source

Examining the Idea of Time based on the Opinions of Gilles Deleuze in the Iranian Cinema of the 90s (with Case Analysis of Movies: Fish and Cat, Enter the Dragon! and The Ridiculous) [PDF]

open access: yesحکمت و فلسفه, 2023
Gilles Deleuze can undoubtedly be considered one of the most important philosophers and theorists of cinema. In the 1980s, Deleuze wrote two volumes of cinema books, which established the main directions of cinema philosophy as a separate discipline in ...
raouf sarbakhsh, reza sarbakhsh
doaj   +1 more source

Rasquache aesthetics in Alex Rivera’s “Why Cybraceros?”

open access: yesNordlit: Tidsskrift i litteratur og kultur, 2014
This paper studies Rivera's 12-year-old spoof outsourcing website, with particular attention to the 4.5 minute 1997 video that served as its original point of departure (he is now best know for his 2008 feature film, "Sleep Dealer.").
Debra Ann Castillo
doaj   +1 more source

‘The political deadlock is life’: Boris and the satire of contemporary Italian media and cultural industries

open access: yesIncontri: Rivista Europea di Studi Italiani, 2014
‘Il pareggio elettorale è la vita’: Boris e la satira dei mass media italiani e dell’industria culturale odierni  Nel 2007 il network satellitare Fox Italia ha cominciato la produzione di Boris, una serie comica del genere mockumentary messa in onda sui ...
Giacomo Boitani
doaj   +1 more source

Document Human Rights Film Festival 2017

open access: yesAlphaville: Journal of Film and Screen Media, 2018
The autumn season in Glasgow is a celebration of alternative cinema at its wildest, most creative and socially engaged through a variety of film festivals, from Take One Action and Scottish Queer International Film Festival (SQIFF) to Scottish Mental ...
Alexandra-Maria Colta
doaj   +1 more source

Counterfactual Histories of Moon Landing

open access: yesMeno Istorija ir Kritika, 2018
The article is devoted to the analysis of chosen examples of counterfactual narratives which diverge from the typical alternative accounts of history written in the “what if” mode.
Borowski Mateusz
doaj   +1 more source

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