Results 51 to 60 of about 136 (125)
Stick to the Status Quo? Music and the Production of Nostalgia on Disney+
This article examines the production of musical nostalgia in High School Musical: The Musical: The Series (2019–23), one of the first series created for Disney’s streaming platform.
Toby Huelin
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“It just tastes better than other meat…”
This article examines the trope of cannibalism in satire after Jonathan Swift’s Modest Proposal (1727), identifying its function as a form of satiric exaggeration and vehicle for deconstruction.
Adam James Smith
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AI for identifying social norm violation. [PDF]
Neuman Y, Cohen Y.
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Monstrous Proletariat: The Racial Chimera in District 9 and Sorry to Bother You. [PDF]
Taylor T, King CS.
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Department of Mockumentary Sciences
In the humanities and cultural sciences, the humor for fictionalizing a “truth” is described as “mocking”. Though it is more encountered in human sciences, this mode of structuration of events, happenings is also a significant concept in the STEM sciences.
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Expanded Mockuworlds. Mockumentary as a Transmedial Narrative Style
Customarily, mockumentary tends to be discussed merely as a filmic and televisual form. Yet, on closer inspection, it proves to be a narrative style that not only can easily be employed in a variety of different medial contexts but is also suitable for delivering a single story across various platforms.
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Transgressive Mockumentary as a Critique of Conventional Filmmaking Practices
Mockumentary film is the parodic conjoint of fiction narrative with documentary-style narration, popularized since the 1980s with the release of the iconic This is Spinal Tap. While many mockumentaries take advantage of canonical documentary forms merely for comedic purposes, certain examples exploit their hybridism for critical purposes by the use of ...
Şatır, Berkay, Behlil, Melis
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Cortical temporal hierarchy is immature in middle childhood. [PDF]
Moraczewski D, Nketia J, Redcay E.
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La emisión del falso documental Operación Palace acerca del intento de golpe de 1981, dirigido por el periodista Jordi Évole, generó un aluvión de reacciones altamente polarizadas entre actores políticos, académicos y periodísticos. Este artículo analiza
Marta Montagut, Núria Araüna
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