Results 241 to 250 of about 10,784,721 (290)

Modern/Moderne/Modernismus

2010
›Die Moderne‹ mag vielleicht als »bewildering and disturbing term«1 gelten — doch wer sich darauf einlast, die historische Entwicklung des semantischen Feldes von ›modern/Moderne‹ zu skizzieren, darf sich nicht damit aufhalten, die »Uferlosig-keit verbindlicher Definitionsversuche«2 oder gar die Unmoglichkeit des Unterfangens3 zu beklagen.
openaire   +2 more sources

Modern Applied Statistics with S

, 2010
W. Venables, B. Ripley
semanticscholar   +1 more source

Modernism and Modernity

The Journal of the Association of Teachers of Japanese, 1988
Robert M. Torrance, Donald Keene
openaire   +1 more source

Modern developments in germline pharmacogenomics for oncology prescribing

Ca-A Cancer Journal for Clinicians, 2022
Natalie M Reizine, Peter H O'donnell
exaly  

Video, Modernity and Modernism

1993
A woman picks an apple. She picks it again. She puts it back on its branch, then there are two of her, mirrored across the video screen. Each picks and replaces apples, out of phase. The colour bleaches out of the image, from rich greens to harsh, grainy black and white, until the image becomes a kind of Rorschach blob, an illegible, symmetrical tangle
openaire   +2 more sources

Antibody–drug conjugates: Smart chemotherapy delivery across tumor histologies

Ca-A Cancer Journal for Clinicians, 2022
Javier Cortés, Giuseppe Curigliano, Paolo Tarantino   +2 more
exaly  

The Modern Corporation and Private Property.

, 1933
Shorey Peterson, A. A. Berle, G. Means
semanticscholar   +1 more source

Derivation of some modern arc magmas by melting of young subducted lithosphere

Nature, 1990
Marc J. Defant, M. Drummond
semanticscholar   +1 more source

Current treatment and future directions in the management of anal cancer

Ca-A Cancer Journal for Clinicians, 2022
Leila T Tchelebi, Cathy Eng, Craig A Messick   +2 more
exaly  

Perception, Modernism and Modernity

2018
This chapter studies the engagement with visual perception that British animation shares with canonical modernist films and their basis in modernity. Early lightning cartoon films adopted a non-narrative, spectacular mode of address that supports Gunning’s ‘cinema of attractions’ account.
openaire   +2 more sources