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Modernism/Modernisms. The Two Souls of Modernity Before Modernity
2021The architectural and cultural heritage built in the early decades of the twentieth century is often a critical and controversial topic. “History is always written by winners”, and in the case of cultural conflicts, the narratives of the events support the prevalence of a thesis on the others that was overshadowed, denied and then forgotten.
enrico cicalò, michele valentino
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SSRN Electronic Journal, 1998 All modern economies have a "chartalist" or "state" money, as acknowledged by Friedrich Knapp and J. M. Keynes. In this paper, I examine the "history" of money to shed light on its origins. I also examine in detail the views of those who accepted the chartalist, or state, approach to money, from Adam Smith to Knapp and Keynes, with some discussion of ...
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Modernity, modernities and modernization: Tradition reappraised
Social Science Information, 2013The current discourse of modernity has produced many new terms to reflect the multiple conditions of social change. However, they do not automatically suggest a direct transition from the traditional but rather support a recursive modality in which present changes are not construed as fully independent of reclaimed past beliefs and actions.
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2021
Modernity and modernism both share the common stem word “modern”. Modern refers to all things new and in present as opposed to old and antiquated things and practices as well as anything which is in vogue and in fashion- music, modern history, modern apparels, lifestyle, technology and modern way of thinking.
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Modernity and modernism both share the common stem word “modern”. Modern refers to all things new and in present as opposed to old and antiquated things and practices as well as anything which is in vogue and in fashion- music, modern history, modern apparels, lifestyle, technology and modern way of thinking.
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Contemporary Music Review, 2001
Reference and allusion, present in Kurtag's music from his Op. 1, reflect the discourses of modernism as clearly as the desire to avoid all extra-musical reference in the music of the post-war avant-garde. Kurtag's music is discussed in relation to two sets of ideas: Adorno's concept of musical material, and the “sedimentation” of historical elements ...
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Reference and allusion, present in Kurtag's music from his Op. 1, reflect the discourses of modernism as clearly as the desire to avoid all extra-musical reference in the music of the post-war avant-garde. Kurtag's music is discussed in relation to two sets of ideas: Adorno's concept of musical material, and the “sedimentation” of historical elements ...
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