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Neoplatonists in Modern Greek Poetry

2022
This paper analyses a cluster of major Greek poets since 1880 who have referred to key figures from the history of Neoplatonism as a foil to their ancestral Greek Orthodoxy. Though that foil sometimes takes the form of a rejection -- 'Thou hast conquered, o pale Galilaean!' -- it can operate in a variety of ways.
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Fauriel and Modern Greek Poetry

PMLA/Publications of the Modern Language Association of America, 1969
AN important chapter in the history of modern Greek poetry was opened by Claude-Charles Fauriel.1 He circulated a well-organized body of popular verse, fragments of which were known in western Europe to only a few travellers before him, and, of course, to Goethe.2 Yet modern Greek criticism has been ungenerous to him.
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Perceptions of the Parthenon in Modern Greek Poetry

Journal of Modern Greek Studies, 2002
The Parthenon is not a popular source of inspiration for modern Greek poets. Only a few poems are devoted to it, expressing either the poet's grief for bygone ages of glory or his praise of the immortal Greek spirit. Against this background, three poets can be distinguished for being different and original.
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Musicality in Modern Greek Poetry 1900–1930

Byzantine and Modern Greek Studies, 1990
In the late nineteenth century in France, a division arose between two concepts of poetry: poetry as a distinct form of expression, and poetry as a distinct form of perception. In the former the musicality of the poem was a primary feature: in the latter the aural value of the text was relatively unimportant.
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