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New German Critique, 1981
the second of my remarks is in some part critical of Habermas's arguments; and the final one is really a question, an enquiry about the differences between Habermas's views and those of Adorno. 1. Habermas raises an issue both of great importance and of formidable complexity in suggesting that certain transformations of time-experience are ...
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the second of my remarks is in some part critical of Habermas's arguments; and the final one is really a question, an enquiry about the differences between Habermas's views and those of Adorno. 1. Habermas raises an issue both of great importance and of formidable complexity in suggesting that certain transformations of time-experience are ...
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2021
In the following chapters, the most relevant theories of organization will be outlined in their essential features, which can be divided into three main phases: the modernist phase, with the classical school; the neoclassical school of the post-Ford period; and finally the more modern and interdisciplinary approach which is composed of the theories of ...
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In the following chapters, the most relevant theories of organization will be outlined in their essential features, which can be divided into three main phases: the modernist phase, with the classical school; the neoclassical school of the post-Ford period; and finally the more modern and interdisciplinary approach which is composed of the theories of ...
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A Modern Test in Modern Literature
The Modern Language Journal, 1933Author's summary.— A discussion of the arguments for and against courses in contemporary foreign literature, with an account of a successful course in Contemporary Spanish Literature given by the writer at the College of the City of New York, followed by a copy of a final examination on the term's work.
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Contemporary Music Review, 2001
Reference and allusion, present in Kurtag's music from his Op. 1, reflect the discourses of modernism as clearly as the desire to avoid all extra-musical reference in the music of the post-war avant-garde. Kurtag's music is discussed in relation to two sets of ideas: Adorno's concept of musical material, and the “sedimentation” of historical elements ...
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Reference and allusion, present in Kurtag's music from his Op. 1, reflect the discourses of modernism as clearly as the desire to avoid all extra-musical reference in the music of the post-war avant-garde. Kurtag's music is discussed in relation to two sets of ideas: Adorno's concept of musical material, and the “sedimentation” of historical elements ...
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The Journal of the Association of Teachers of Japanese, 1988
Robert M. Torrance, Donald Keene
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Robert M. Torrance, Donald Keene
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2010
›Die Moderne‹ mag vielleicht als »bewildering and disturbing term«1 gelten — doch wer sich darauf einlast, die historische Entwicklung des semantischen Feldes von ›modern/Moderne‹ zu skizzieren, darf sich nicht damit aufhalten, die »Uferlosig-keit verbindlicher Definitionsversuche«2 oder gar die Unmoglichkeit des Unterfangens3 zu beklagen.
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›Die Moderne‹ mag vielleicht als »bewildering and disturbing term«1 gelten — doch wer sich darauf einlast, die historische Entwicklung des semantischen Feldes von ›modern/Moderne‹ zu skizzieren, darf sich nicht damit aufhalten, die »Uferlosig-keit verbindlicher Definitionsversuche«2 oder gar die Unmoglichkeit des Unterfangens3 zu beklagen.
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Video, Modernity and Modernism
1993A woman picks an apple. She picks it again. She puts it back on its branch, then there are two of her, mirrored across the video screen. Each picks and replaces apples, out of phase. The colour bleaches out of the image, from rich greens to harsh, grainy black and white, until the image becomes a kind of Rorschach blob, an illegible, symmetrical tangle
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Perception, Modernism and Modernity
2018This chapter studies the engagement with visual perception that British animation shares with canonical modernist films and their basis in modernity. Early lightning cartoon films adopted a non-narrative, spectacular mode of address that supports Gunning’s ‘cinema of attractions’ account.
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Modernity, Modernism and the Past
2010Modernity is the epoch most conscious of history precisely because it is so conscious of itself as present soon to become past. Baudelaire’s poem ‘L’Horloge’ illustrates this awareness only too well. No sooner is the present moment marked as ‘now’ than it passes.
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