Results 51 to 60 of about 81 (69)
Paul de Man in pojem modernizem: koncepcija odprtosti, ki je hkrati celovitost:
Jola Škulj
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PRIPOVEDNI MODERNIZEM ANDREJA GIDA:
1964O knjigi: Andreja Gide, Ponarejevalci denarja, L j. 1964.
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2013
Teorija recepcije (W. Iser) stavlja u analogan odnos recipijenta – čitatelja, koji određenim afektivnim dojmom predočuje književno djelo kao da jest svijet s glumcem, koji kao recipijent svojim glumačkim materijalom daje irealnoj osobi mogućnost stvarne pojave.
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Teorija recepcije (W. Iser) stavlja u analogan odnos recipijenta – čitatelja, koji određenim afektivnim dojmom predočuje književno djelo kao da jest svijet s glumcem, koji kao recipijent svojim glumačkim materijalom daje irealnoj osobi mogućnost stvarne pojave.
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Literarni modernizem, teorija in politika »dolgega leta '68« med centrom in periferijo
Marko Juvan
openalex
2007
The paper examines the possible re-contextualization of the Serbian musical neoclassicism in the field of (sober) modernism/socialist aestheticism characteristic for Serbian art and literature of the fifties. From that perspective, the Second Symphony (1951) by Milan Ristić is seen as the constitutive piece of neoclassicism/sober modernism, i.e.
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The paper examines the possible re-contextualization of the Serbian musical neoclassicism in the field of (sober) modernism/socialist aestheticism characteristic for Serbian art and literature of the fifties. From that perspective, the Second Symphony (1951) by Milan Ristić is seen as the constitutive piece of neoclassicism/sober modernism, i.e.
openaire +1 more source

