Results 51 to 60 of about 81 (69)

PRIPOVEDNI MODERNIZEM ANDREJA GIDA:

1964
O knjigi: Andreja Gide, Ponarejevalci denarja, L j. 1964.
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Recepcija glasu v zrcaljenju književnosti (modernizem in postmodernizem) ter igralskega filmskega govora

2013
Teorija recepcije (W. Iser) stavlja u analogan odnos recipijenta – čitatelja, koji određenim afektivnim dojmom predočuje književno djelo kao da jest svijet s glumcem, koji kao recipijent svojim glumačkim materijalom daje irealnoj osobi mogućnost stvarne pojave.
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Konstituiranje neoklasicizma v Srbiji ali kako in zakaj je neoklasicizem mogoče šteti za modernizem: a study of Ristić's Second symphony: Constituting neoclassicism in Serbia or how and why neoclassicism can be understood as modernism: študija ob Ristićevi Drugi simfoniji:

2007
The paper examines the possible re-contextualization of the Serbian musical neoclassicism in the field of (sober) modernism/socialist aestheticism characteristic for Serbian art and literature of the fifties. From that perspective, the Second Symphony (1951) by Milan Ristić is seen as the constitutive piece of neoclassicism/sober modernism, i.e.
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