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, 1997 G.E. Modigliani viene presentato come "l'altro Modigliani" non solo rispetto al famoso fratello pittore, ma soprattutto per sottolineare i tanti aspetti meno noti del suo impegno politico. Se infatti viene generalmente ricondotto al tradizionale riformismo socialista italiano e poi alla sua posizione di "baluardo" socialista nell'emigrazione ...
CHERUBINI, DONATELLA
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Testing the Modigliani and Miller Theory in Practice: Evidence from the Macedonian Banking System
Eastern European Economics, 2017Aneta Krstevska +2 more
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International Journal of Financial Services Management, 2018
Noura Al-Kahtani, Mohamed Al-Eraij
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Noura Al-Kahtani, Mohamed Al-Eraij
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Economics Letters, 2001
zbMATH Open Web Interface contents unavailable due to conflicting licenses.
Herbertsson, Tryggvi Thor, Zoega, Gylfi
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zbMATH Open Web Interface contents unavailable due to conflicting licenses.
Herbertsson, Tryggvi Thor, Zoega, Gylfi
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European Journal of the History of Economic Thought, 2020
Apart from followers as Milton Friedman, Paul Samuelson, Ronald Coase, and Maurice Allais, most economists abandoned Irving Fisher’s economic framework after the post-1929 Great Crisis.
Tiago Cardao-Pito
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Apart from followers as Milton Friedman, Paul Samuelson, Ronald Coase, and Maurice Allais, most economists abandoned Irving Fisher’s economic framework after the post-1929 Great Crisis.
Tiago Cardao-Pito
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Generalized Modigliani–Miller Theory
Contributions to Finance and Accounting, 2022P. Brusov, T. Filatova, N. Orekhova
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2020
Le prisme de la légende de l' "artiste maudit" a longtemps troublé la vision de l'oeuvre d'Amedeo Modigliani. Cet ouvrage monographique invite à se plonger dans l'univers de cette légende artistique de Paris bohème et à envisager son oeuvre d'un nouvel oeil.
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Le prisme de la légende de l' "artiste maudit" a longtemps troublé la vision de l'oeuvre d'Amedeo Modigliani. Cet ouvrage monographique invite à se plonger dans l'univers de cette légende artistique de Paris bohème et à envisager son oeuvre d'un nouvel oeil.
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Art Journal, 1960
In 1951 a New York gallery held an exhibition called “Sculpture by Painters.” (bibl. 18) Included in this show were works by twenty masters, ranging from Gericault and Daumier to Andre Masson and George L. K. Morris. The raison d'etre of this exhibition was, obviously, to demonstrate that modern painters have produced three-dimensional works ...
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In 1951 a New York gallery held an exhibition called “Sculpture by Painters.” (bibl. 18) Included in this show were works by twenty masters, ranging from Gericault and Daumier to Andre Masson and George L. K. Morris. The raison d'etre of this exhibition was, obviously, to demonstrate that modern painters have produced three-dimensional works ...
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