Results 211 to 220 of about 10,117 (247)
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A system for systolic modules for the MUSIC algorithm

IEEE Transactions on Signal Processing, 1991
The authors believe that special-purpose architectures for digital signal processing (DSP) real-time applications will use closely coupled processing elements as array processor modules to implement the various portions of the new algorithms, and several such modules will cooperate in a pipelined manner to implement complete algorithms.
William Robertson 0001   +1 more
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A module for syntactic processing in music?

Trends in Cognitive Sciences, 2006
Music and language have rules governing the structural organization of events. By analogy to language, these rules are referred to as the ‘syntactic rules’ of music. Does this analogy imply that the brain actually performs syntactic computations on musical structures, similar to those for language and based on a specialized module [1–3]? In contrast to
Emmanuel Bigand   +2 more
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Discrimination of Modulated Music Tempo by Music Majors

Journal of Research in Music Education, 1983
This study investigated the ability of university music majors to aurally perceive sudden and gradual tempo changes of various magnitudes in several different musical compositions. Differing rates of tempo change, the least change being 1 M.M.14 measures, were incorporated into four musical compositions by a computer. Forty-two music majors were tested
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Electronic musical instrument for modulating musical tone signal with voice

The Journal of the Acoustical Society of America, 1993
An electrical musical instrument includes a scale designator for sequentially and automatically designating a scale on the basis of prestored data of a music piece, and a musical tone signal generator for outputting a musical tone signal including a harmonic frequency on the basis of the scale designated by said scale designator or as a fundamental ...
Tetsuichi Nakae, Takashi Matsuda
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Syntactic complexity and musical proficiency modulate neural processing of non-native music

Neuropsychologia, 2018
In music, chords are organized into hierarchical structures on the basis of musical syntax and the syntax of Western music can be implicitly acquired by listeners growing up in a Western musical culture. Here, we investigated whether Western musical syntax of different complexities can be implicitly acquired by non-native listeners growing up in China.
Ma, Xie   +3 more
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Modulating misconceptions by musical means

Teaching Statistics, 2018
SummaryThis literature‐based, classroom‐tested novel innovation of educational song (with pedagogical scaffolding) may help engage students explore and address common resistant misconceptions in probability (e.g. all outcomes are equally likely) and in statistics (e.g. correlation must imply either causation or coincidence).
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Electronic musical instrument with frequency modulation

The Journal of the Acoustical Society of America, 1992
An electronic musical instrument having a plurality of operators for generating audio frequency waveforms and performing frequency modulation thereof. The operator comprises a wave generator, a phase generator, and an amplitude-envelope generator. The phase generator produces phase-angle data on the basis of frequency-number data modulated by ratio-of ...
Steven L. Kellogg, Jack A. Kellogg
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Modulation Representations for Speech and Music

2019
The concept of modulation has been ubiquitously linked to the notion of timbre. Modulation describes the variations of an acoustic signal (both spectrally and temporally) that shape how the acoustic energy fluctuates as the signal evolves over time. These fluctuations are largely shaped by the physics of a sound source or acoustic event and, as such ...
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Aspects of Modality and Modulation in Sibelius's Music

Musurgia, 2008
Aspects de la modalité et de la modulation dans la musique de Sibelius Cet article discute comment, dans certaines œuvres de Sibelius, les caractéristiques modales apparaissent liées à des progressions tonales d’une tonalité à une autre, ou peuvent être comprises parfois comme donnant une impulsion ou articulant le changement de tonalité.
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