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Electronic musical instrument with frequency modulation
The Journal of the Acoustical Society of America, 1992An electronic musical instrument having a plurality of operators for generating audio frequency waveforms and performing frequency modulation thereof. The operator comprises a wave generator, a phase generator, and an amplitude-envelope generator. The phase generator produces phase-angle data on the basis of frequency-number data modulated by ratio-of ...
Steven L. Kellogg, Jack A. Kellogg
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Modulation Features for Speech and Music Classification
2006 10th IEEE Singapore International Conference on Communication Systems, 2006Many attempts to accurately classify speech and music have been investigated over the years. This paper presents modulation features for effective speech and music classification. A Gammatone filter bank is used as a front-end for this classification system, where amplitude modulation (AM) and frequency modulation (FM) features are extracted from the ...
Julien Epps +3 more
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A system for systolic modules for the MUSIC algorithm
IEEE Transactions on Signal Processing, 1991The authors believe that special-purpose architectures for digital signal processing (DSP) real-time applications will use closely coupled processing elements as array processor modules to implement the various portions of the new algorithms, and several such modules will cooperate in a pipelined manner to implement complete algorithms.
W.J. Phillips, W. Robertson
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Electronic musical instrument for modulating musical tone signal with voice
The Journal of the Acoustical Society of America, 1993An electrical musical instrument includes a scale designator for sequentially and automatically designating a scale on the basis of prestored data of a music piece, and a musical tone signal generator for outputting a musical tone signal including a harmonic frequency on the basis of the scale designated by said scale designator or as a fundamental ...
Takashi Matsuda, Tetsuichi Nakae
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Modulation of the startle reflex by pleasant and unpleasant music
International Journal of Psychophysiology, 2009The issue of emotional feelings to music is the object of a classic debate in music psychology. Emotivists argue that emotions are really felt in response to music, whereas cognitivists believe that music is only representative of emotions. Psychophysiological recordings of emotional feelings to music might help to resolve the debate, but past studies ...
Nathalie Gosselin +4 more
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Syntactic complexity and musical proficiency modulate neural processing of non-native music
Neuropsychologia, 2018In music, chords are organized into hierarchical structures on the basis of musical syntax and the syntax of Western music can be implicitly acquired by listeners growing up in a Western musical culture. Here, we investigated whether Western musical syntax of different complexities can be implicitly acquired by non-native listeners growing up in China.
Ma, Xie +3 more
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Modulation Representations for Speech and Music
2019The concept of modulation has been ubiquitously linked to the notion of timbre. Modulation describes the variations of an acoustic signal (both spectrally and temporally) that shape how the acoustic energy fluctuates as the signal evolves over time. These fluctuations are largely shaped by the physics of a sound source or acoustic event and, as such ...
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Musical modulation and the perceptual structure of tone sequences
The Journal of the Acoustical Society of America, 1982Tone sequences vary in the degree to which they cohere as melodic patterns. Many of the factors that determine coherence may be described by musical constructs. One such construct, key centeredness, involves the organization of tones about a central tone called the tonic.
H. I. Lyons, Lola L. Cuddy
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Aspects of Modality and Modulation in Sibelius's Music
Musurgia, 2008Aspects de la modalité et de la modulation dans la musique de Sibelius Cet article discute comment, dans certaines œuvres de Sibelius, les caractéristiques modales apparaissent liées à des progressions tonales d’une tonalité à une autre, ou peuvent être comprises parfois comme donnant une impulsion ou articulant le changement de tonalité.
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Interface Modules for Extended Reality in Music
The growing possibilities and availability of immersive technologies in the field of Extended Reality (XR) are leading to new potentials in the context of Musical XR, like the emergence of new concepts for virtual reality musical instruments (VRMIs), reception, and composition and performance practices.Dziwis, Damian, Hadjakos, Aristotelis
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