Results 211 to 220 of about 9,867 (241)
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2020
Abstract This chapter looks at when humans are made into monsters. When people seek to dehumanize others, they commonly describe the objects of their fear, hatred, and disgust as monsters (or demons, devils, and fiends, which amount to the same thing), either explicitly or implicitly.
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Abstract This chapter looks at when humans are made into monsters. When people seek to dehumanize others, they commonly describe the objects of their fear, hatred, and disgust as monsters (or demons, devils, and fiends, which amount to the same thing), either explicitly or implicitly.
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International Journal of Surgical Pathology, 2015
Sankalp Mahendra, Sancheti +3 more
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Sankalp Mahendra, Sancheti +3 more
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2009
Abstract Throughout the nineteenth century, the concepts of eccentricity and monstrosity were closely intertwined. The former represented departure from the norms of convention and custom, and the latter, departure from the norms of nature.
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Abstract Throughout the nineteenth century, the concepts of eccentricity and monstrosity were closely intertwined. The former represented departure from the norms of convention and custom, and the latter, departure from the norms of nature.
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BJOG: An International Journal of Obstetrics & Gynaecology, 1947
S, NOWELL, R, OWEN-JONES
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S, NOWELL, R, OWEN-JONES
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2006
Der Horrorfilm zeigt menschliche Körper und technische Medien als Orte des Schreckens und der Faszination. Er spiegelt damit nicht nur seine eigene Medialität, sondern verweist auf seine Wurzeln in der Gothic Novel, der Romantik, der Psychoanalyse und der Medientheorie.
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Der Horrorfilm zeigt menschliche Körper und technische Medien als Orte des Schreckens und der Faszination. Er spiegelt damit nicht nur seine eigene Medialität, sondern verweist auf seine Wurzeln in der Gothic Novel, der Romantik, der Psychoanalyse und der Medientheorie.
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