Results 41 to 50 of about 10,163 (167)
Le monstre dans la philosophie contemporaine de l’horreur cinématographique
Noël Carroll’s The Philosophy of Horror, the most discussed book in the anglo-saxon philosophy of horror cinema, depends a lot on the notion of monster as a scientific impossibility.
Hugo Clémot
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What are Monsters in Computer Games?
The current paper is a review of the monograph by Czech computer games researcher Jaroslav Švelch “Player vs. Monster. The Making and Breaking of Videogame Monstrosity” (2023).
Vladislav V. Kirichenko
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Monstruos y poder en El obsceno pájaro de la noche de José Donoso
The essay “Monstruos y poder en El obsceno pájaro de la noche” studies the figure of the monster in the novel El obsceno pájaro de la noche by Chilean author José Donoso.
Carmen Martin
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This article focuses on the figure of an aging and powerful witch pitted against younger women in three contemporary fairy-tale movie adaptations: Snow White and the Huntsman (dir. Rupert Sanders, 2012), Hansel & Gretel: Witch Hunters (dir. Tommy Wirkola,
Rikke Schubart
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Semiotyka twarzy kata i ofiary
Semiotics of the hangman and victim’s faces Murderous ideologies drive and fabricate innumerable forms of social falsehood. One of the objects of the perfidious falsification of reality generated in the totalitarian system is the human face.
MAREK HENDRYKOWSKI
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Pravljične pošasti in pošastno v oglasih
Fairy Tale Monsters and the Monstrous in Advertising
In folklore, evil has always been represented by monsters in various shapes and sizes. Through cultures, the demonic world has been the fearsome counterpart of the good, the two worlds coexisting in a constant struggle.
Simona Klaus
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Le « hors champ » du sexuel : les Anciens et les relations entre femmes
Recent studies regarding multiple sexualities in Greek and Roman Antiquity (or at least practices that contemporary scholars would classify as such) showed that categories used to describe sexualities were quite different from ours.
Sandra Boehringer
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This chapter provides a general overview of the issues surrounding semantic monsters. It outlines the basics of Kaplan’s framework and spells out how and why the topic of “monsters” arises within that framework. The chapter distinguishes four notions of a monster and shows why they all coincide within Kaplan’s framework.
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