Results 51 to 60 of about 181,812 (292)
“How can we see time?” This question is raised in the opening sentence of Didi-Huberman’s book-length study of Bertolt Brecht’s 1955 photobook Kriegsfibel (War Primer in English translation (2017)), pieced together with scissors and glue from press clippings and self-penned epigrams.
openaire +3 more sources
Mario Slugan: Montage as Perceptual Experience. Berlin Alexanderplatz from Döblin to Fassbinder.
Nenad Jovanovic's review of the book Montage as Perceptual Experience. Berlin Alexanderplatz from Döblin to Fassbinder by Mario Slugan
Nenad Jovanovic
doaj +1 more source
The ear against the eye : Vertov’s symphony [PDF]
Vertov defined the basic qualities of his Cine-Eye by means of a simple negation: it sees what remains inaccessible to the human eye. This means that in his films we see media-based and media-produced images that have nothing to do with the imitation of ...
Bulgakowa, Oksana
core
The integration of ultra‐flexible, all‐organic, field‐effect transistor‐based strain sensors to soft structures is reported for the development of sensorized soft robots. The envisaged application is the development of next‐generation, controllable, and observable soft robotic catheters for endoscopic applications, such as drug delivery. Mechanical and
Usama Mahmood +5 more
wiley +1 more source
This work proposes a machine‐vision‐based tool for predicting the thickness of in‐line deposited perovskite films, enabling real‐time decision making to control deposition parameters. The workflow integrates perovskite deposition and annealing with uniformity analysis and minimodule fabrication.
Juan Pablo Velásquez +9 more
wiley +1 more source
Filming Concepts, Thinking Images: On Wonder, Montage and Disruption in an Image-Saturated World
This article explores the relation between cinema and philosophy through the lens of interest shown by some filmmakers in the lives and works of philosophers.
Vania Baldi, Nélio Conceição
doaj +1 more source
The Role of Provenance Management in Accelerating the Rate of Astronomical Research [PDF]
The availability of vast quantities of data through electronic archives has transformed astronomical research. It has also enabled the creation of new products, models and simulations, often from distributed input data and models, that are themselves ...
Berriman, G. Bruce, Deelman, Ewa
core +2 more sources
AI‐based tools enable rapid characterization of bacterial ultrastructure in low‐dose cryogenic transmission electron microscopy. The envelope thickness tool quantifies membrane thickness and anisotropy. The flagella module analyzes filament morphology and detects cell‐flagella contacts.
Sita Sirisha Madugula +10 more
wiley +1 more source
Introducing open montage: Material performativity in urban media configurations in space
This article introduces the concept of ‘open montage’, a framework developed to explore the media configurations between art, cinema, and urban space and the entangled relations this interplay presents in terms of publics and publicness.
Mel Jordan, Giorgia Rizzioli
doaj +1 more source
Le projet de film intitulé Glass House, élaboré par Eisenstein entre 1926 et 1930, appartient à toute une série de projets irréalisés et irréalisables qui jonchent le riche parcours d’Eisenstein : pensons par exemple au projet pour un film sur Le Capital
Antonio Somaini
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