Results 181 to 190 of about 379,103 (334)
ABSTRACT According to most readers of the Tractatus, Wittgenstein's logic is empty or contentless, since it consists of tautologies that do not picture reality. This view, however, does not explain how and why Wittgenstein's ‘logic of depiction’ is transcendental (T, 4.015 and 6.13), especially given that Kant introduced transcendental logic through ...
Simone Nota
wiley +1 more source
RESPONSIBILITY FOR ETHICS IN IT&C [PDF]
In this article the authors aim to create a presentation of the triangle morals-ethics-responsibility with an accent on the current globalized society.
MARES MARIUS DANIEL, MARES VALERICA
core
Moral integration influences English as a Foreign Language (EFL) oral English learning: Evidence from textbook analysis and learner feedback. [PDF]
Yang X, Nie Q.
europepmc +1 more source
“The Excuses We Make”: Defining Eight Corruption Rationalization Categories
ABSTRACT The rationalization of corruption allows individuals to detach from moral imperatives, enabling them to perceive unethical or unlawful actions as acceptable or justifiable. Closely linked to the concept of moral disengagement, rationalization involves cognitive distortions that frame inhumane or immoral behavior as neither wrong nor ...
Caio César Coelho Rodrigues
wiley +1 more source
Moral injury in clinical and academic medicine-it is time to act. [PDF]
von Ungern-Sternberg BS +2 more
europepmc +1 more source
From Everyman to Hamlet: A Distant Reading
Abstract The sixteenth century sees English drama move from Everyman to Hamlet: from religious to secular subject matter and from personified abstractions to characters bearing proper names. Most modern scholarship has explained this transformation in terms originating in the work of Jacob Burckhardt: concern with religion and a taste for ...
Vladimir Brljak
wiley +1 more source
"Part of a cog, of a system; a system that's broken": social workers' experiences of moral injury in England. [PDF]
Pearson A +5 more
europepmc +1 more source
Obesity and the Politics of Taddeo di Bartolo's Inferno
ABSTRACT This paper examines Taddeo di Bartolo's depiction of Hell in the Collegiata di Santa Maria Assunta, the mother church of San Gimignano. In a striking departure from similar scenes of the period, the fresco, painted in the early fifteenth century, emphasizes the obesity of the sinners—suggesting a deliberate visual critique.
Stefania Roccas Gandal
wiley +1 more source
Film as Religion, Second Edition: Myths, Morals, and Rituals
Shauna K. Hannan
openalex +2 more sources

