Results 1 to 10 of about 65 (63)
Apparatus. Film, Media and Digital Cultures of Central and Eastern Europe, 2022 The “Voices” section in Apparatus serves as a venue for a wide range of critical reflections and responses. The positions adopted or views expressed are not constrained by the traditional formalities of academic writing.
Keti Chukhrov +6 more
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Reception of the Avant-garde in Russian Contemporary Art of the 1980s and 1990s [PDF]
Художественная культураThe article examines the reception of the Russian avant-garde art of the 1910s and 1920s in Soviet non-official art and early post-Soviet art of the 1980s and 1990s, the period when the Russian avant-garde art was widely discovered, followed and/or ...
Lazareva Ekaterina A.
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Une insurrection déplacée, maintenant !
ILCEA, 2019 The article analyses Moscow actionism of the 1990s, one of the main representatives of which is Anatoly Osmolovsky, by comparing it with the revolutionary agitprop of the Bolsheviks.
Pavel Mitenko
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Internationale Zeitschrift für KulturkomparatistikThis article considers the evolution of poetic performance on the basis of several Russian poets of the 2010s. The type of performance in question, which originally implied active absorption in the poetic text, occupied an important place in Russian art
Kirill Korchagin
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Climatic Change, 2023 AbstractIf local governments reduce greenhouse gas emissions, they will not see effects unless a very large number of other actors do the same. However, reducing greenhouse gas emissions can have multiple local “co-benefits” (improved air quality, energy savings, even energy security), creating incentives for local governments to reduce emissions—if ...
Matteo Roggero +2 more
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Useless Actions and Senseless Laughter: On Moscow Conceptualist Art and Politics [PDF]
Russian Literature, 2013 Through a series of close readings of an album by Ilʼia Kabakov and actions by the groups Collective Actions (Kollektivnye deistviia) and Mukhomor, this article considers the place of laughter in the work of the Moscow Conceptualist circle. Distinguishing between a metaphysically-oriented laughter in the 1970s and a carnivalesque or kynic laughter in ...
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THE RUSSIA-UKRAINE CRISIS: "THE RED LINES" AS FOUNDATIONS FOR MOSCOW'S ACTIONS
, 2022 {"references": ["MARTINS, Jos\u00e9 Miguel Quedi. Haver\u00e1 Guerra no Donbass? ISAPE Debate. N.11. Abril, 2021.", "MEARSHEIMER, John J. Why the Ukraine Crisis Is the West's Fault. Foreign Affairs. September/October, 2014.", "PICCOLLI, Larlecianne. Armas Estrat\u00e9gicas e Equil\u00edbrio Internacional: a Pol\u00edtica de Defesa da R\u00fassia no S ...
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Performance on the Margins: Collaborative Art Practices in the Late-Soviet Underground
ArtsThe so-called social turn toward collaborative art practices in the West has a curious but rarely discussed parallel in unofficial art in the late Soviet Union where collaborative performance art served as a significant catalyst for artistic innovation ...
Mary A. Nicholas
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“How can we free ourselves from this despotic Moscow oppression?” The attitude of Poznan and Kalisz voivodeships noblemen towards the Russian army actions in the years 1758-1759. Contribution to the history of the Seven Years’ War [PDF]
Open Military Studies, 2020 Abstract The aim of the text is to show the attitude of the nobility from the Poznan and Kalisz provinces in the years 1758-1759 during the Seven Years’ War. This area, despite the neutrality of the Polish-Lithuanian Commonwealth, became a place of Prussian-Russian fighting.
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