A New Type of Subjectivity in the Works of Dmitry Prigov [PDF]
Problemos, 2020 The article dwells upon the issue of a subject intrinsic to the art of the 70s and 80s of the 20th century, it elicits the reasons determining the problematization of “the Self” category inherent in the aesthetic program of the Moscow Conceptualism ...
Natalia Artemenko
doaj +3 more sources
Metaphor and the Material Object in Moscow Conceptualism
Arts, 2022 Discussions of conceptual art both East and West have focused on the notion of “dematerialization” of the artwork and the substitution of “art as idea” for concrete works of art.
Mary A. Nicholas
doaj +2 more sources
Moscow Conceptualism in a Monologue with the Avant-garde [PDF]
Художественная культураThis article is the first to explore the relationship of Moscow conceptual artists with the creative and moral legacy of the Russian avant-garde of the 1910s-1920s.
Lazareva Ekaterina A.
doaj +2 more sources
Dissident “street art” resisting neo-Soviet discourse: the“Voina” and “Pussy Riot” groups [PDF]
Between, 2016 The link between Moscow art-group “Voina” and the movement of Moscow Conceptualism was clear when, in 2007, it planned a performance with the artist Dmitrii Prigov, called “Voina/War does only unskilled jobs”.
Gabriella Elina Imposti
doaj +4 more sources
After Moscow Conceptualism: Reflections on the Centre and Periphery and Cultural Belatedness [PDF]
ARTMargins, 2020 Conceptual art is not only subject to a striking unevenness and a range of diverse forms across national territories during its emergence, but each national-cultural context in which it emerges is also exposed to the general belatedness of conceptual art’s relationship to its own avant-garde past. Each national-cultural formation was working with, and
Roberts, J
openaire +3 more sources
Moscow Conceptualism: an American Collection [PDF]
Critique d’art, 2012 Without a doubt, the Zimmerli Art Museum (ZAM) in New Brunswick (New Jersey) occupies a unique position in the landscape of American museums. A third of its collection, representing over 20,000 pieces, is dedicated to the Nonconformist art of the late Soviet era, making it one of the must important museums in the world for contemporary Russian art ...
Audureau, Nicolas
openaire +5 more sources
Moscow Conceptualism through Collective and Private Memory. The Archive as an Artistic Self-historicising Practice in Vadim Zakharov [PDF]
Studia Universitatis Babeș-Bolyai Historia, 2021 In an era characterised by the growing tension between local and global, the multiple activities acted by the artist Vadim Zakharov offer an important case study to investigate critically the relationship between artists and the art institutions at the time of the Global Art History.
FRANETOVICH, Alessandra
openaire +5 more sources
The Kabakov Effect: ‘Moscow Conceptualism’ in the History of Contemporary Art [PDF]
Afterall: A Journal of Art, Context and Enquiry, 2016 Peter Osborne tracks the trajectory of ‘Moscow Conceptualism’ against contemporary art’s historical contradictions.
Osborne, Peter
openaire +4 more sources
Cosmic Thoughts: The Paradigm of Space in Moscow Conceptualism [PDF]
, 2019 Collocandosi nel recente dibattito sulla relazione tra filosofia del cosmismo russo e arte russa contemporanea, l'articolo si propone di tratteggiare la produzione artistica sviluppatasi nell'ambito del concettualismo moscovita dedicata al tema dello spazio cosmico, focalizzandosi su opere d'arte ancora inedite o scarsamente note (quali quelle ...
Franetovich, Alessandra
openaire +3 more sources
„Přijde mi, že to je někoho cizího“: Paměť a vzpomínání v románu Dmitrije Prigova Žijte v Moskvě [PDF]
Svět Literatury, 2022 The article analyzes the novel “Živite v Moskve” (2000) by the conceptual writer and artist Dmitrij Prigov (1940–2007). The main aim of the paper is to find out how the author approaches the issue of memory and remembering.
Jakub Kapičiak
doaj +1 more source