Results 1 to 10 of about 90 (85)
Metaphor and the Material Object in Moscow Conceptualism
Discussions of conceptual art both East and West have focused on the notion of “dematerialization” of the artwork and the substitution of “art as idea” for concrete works of art.
Mary A. Nicholas
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Moscow Conceptualism in a Monologue with the Avant-garde [PDF]
This article is the first to explore the relationship of Moscow conceptual artists with the creative and moral legacy of the Russian avant-garde of the 1910s-1920s.
Lazareva Ekaterina A.
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„Přijde mi, že to je někoho cizího“: Paměť a vzpomínání v románu Dmitrije Prigova Žijte v Moskvě [PDF]
The article analyzes the novel “Živite v Moskve” (2000) by the conceptual writer and artist Dmitrij Prigov (1940–2007). The main aim of the paper is to find out how the author approaches the issue of memory and remembering.
Jakub Kapičiak
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A New Type of Subjectivity in the Works of Dmitry Prigov
The article dwells upon the issue of a subject intrinsic to the art of the 70s and 80s of the 20th century, it elicits the reasons determining the problematization of “the Self” category inherent in the aesthetic program of the Moscow Conceptualism ...
Natalia Artemenko
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This article considers the evolution of poetic performance on the basis of several Russian poets of the 2010s. The type of performance in question, which originally implied active absorption in the poetic text, occupied an important place in Russian art
Kirill Korchagin
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Le conceptualisme moscovite : art progressiste ou dissidence idéologique ?
The term of “Muscovite conceptualism” was introduced in 1979 by Boris Groys, in a review of emigration (in Paris), who defines it as a variant of the western conceptualism of the 60-70 years. He qualifies this variant of “romantic”.
Isabelle Després
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Nikita Alekseev`s article.
Nikita Alexeev
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Sabine Hänsgen`s article.
Sabine Hänsgen
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Reception of the Avant-garde in Russian Contemporary Art of the 1980s and 1990s [PDF]
The article examines the reception of the Russian avant-garde art of the 1910s and 1920s in Soviet non-official art and early post-Soviet art of the 1980s and 1990s, the period when the Russian avant-garde art was widely discovered, followed and/or ...
Lazareva Ekaterina A.
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Dissident “street art” resisting neo-Soviet discourse: the“Voina” and “Pussy Riot” groups
The link between Moscow art-group “Voina” and the movement of Moscow Conceptualism was clear when, in 2007, it planned a performance with the artist Dmitrii Prigov, called “Voina/War does only unskilled jobs”.
Gabriella Elina Imposti
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