Results 141 to 150 of about 101,765 (338)

The Muir String Quartet, Monday, October 30, 2000 [PDF]

open access: yes, 2000
This is the concert program of the Muir String Quartet performance on Monday, October 30, 2000 at 8:00 p.m., at the Tsai Performance Center, 685 Commonwealth Avenue, Boston, Massachusetts. Works performed were Quartet in B-flat, Op. 50 No.
School of Music, Boston University
core  

Erving Goffman at 100: A Chameleon Seen as a Rorschach Test within a Kaleidoscope

open access: yesSymbolic Interaction, EarlyView.
The 100th anniversary of Erving Goffman's birth was in 2022. Drawing on his work, the Goffman archives, the secondary literature, and personal experiences with him and those in his university of Chicago cohort, I reflect on some implications of his work and life, and the inseparable issues of understanding society.
Gary T. Marx
wiley   +1 more source

The Fall Fringe Festival: Bluebeard's Castle [PDF]

open access: yes, 1999
This is the concert program of the Fall Fringe Festival performance of Bluebeard's Castle by Bela Bartok, with libretto by Bela Balazs, running Friday and Saturday, October 22 and 23, 1999 at 6:45 p.m. and Sunday, October 24 at 3:00 p.m.
School of Music, Boston University
core  

“Are We Watching the Same Video?”: On the Definition of the Situation and Audience Sense‐Making on Social Media about the Sexual Abuse Allegations Against Marilyn Manson

open access: yesSymbolic Interaction, EarlyView.
How situations are defined is a social process. This paper examines how users on YouTube make sense of the alleged sexual assault perpetrated by shock rocker Marilyn Manson in the 2007 “Heart Shaped‐Glasses (When the Heart Guides the Hand)” music video.
Stacey Hannem, Christopher J. Schneider
wiley   +1 more source

The Synthesis of the Integrative and Form-Building Possibilities of Expressive Means of Music, Painting and Poetry

open access: yesAstra Salvensis, 2019
An integrated view on the formation of different types of art requires a special approach to the single syncretic phenomenon with a common system of expressive means and a number of socio-cultural grounds.
Lyalya Taitoleuovna KALIAKBAROVA   +4 more
doaj  

“All Native Speakers” at Singapore's ESL Schools: Implications for TESOL Communities in the Pursuit of Diversity‐Based Professionalism

open access: yesTESOL Quarterly, EarlyView.
Abstract This study explores an understudied question of who teaches English in the Singaporean English language teaching (ELT) industry. Study 1 analyzed the website contents of ESL schools, and Study 2 conducted questionnaire surveys and interviews with three schools.
Yoko Kobayashi
wiley   +1 more source

A “Distant Music”: Invoking Phantasmagoria in Joyce’s “The Dead” [PDF]

open access: yesEstudios Irlandeses, 2016
This approach to Joyce’s “The Dead” casts a light on the mechanics of phantasmagoria working as a foundational deconstructive strategy at the core of this masterpiece.
Julio Ángel Olivares Merino
doaj  

Creating Change: Art Activism and Leadership Development

open access: yesNew Directions for Student Leadership, Volume 2025, Issue 185, Page 61-65, Spring 2025.
ABSTRACT This article advocates the inclusion of the arts, and specifically, art activism, as a beneficial pedagogical approach to leadership development. Focus is given to using examples of art activism to introduce the student leader activist identity continuum (SLAIC), the exploration of leadership identity, and situating activism as transformative ...
Jessica A. Cruz   +2 more
wiley   +1 more source

“THEME OF THE STAR AND THE CROSS” – CHRISTIAN SYMBOLS IN OLIVIER MESSIAEN’S “VINGT REGARDS SUR L’ENFANT-JESUS”

open access: yesStudia Universitatis Babeş-Bolyai. Musica
Olivier Messiaen wanted his music to express of his profound Catholic faith, and many of his instrumental works written for the concert hall have an overt religious message.
Raluca RAD
doaj   +1 more source

Melancholic Orpheus? The Classical Musical Myths in Archetypal Interpretation [PDF]

open access: yesSlovenska Literatura, 2014
The aim of this paper is to present the archetypal interpretation of Orpheus as the representative of the classical musical myth. The text tracks the relationship between myth and music as well as explores possible melancholic features of the ...
David Kozel
doaj  

Home - About - Disclaimer - Privacy