Results 161 to 170 of about 101,765 (338)

Games and gamification projects in the Australian public sector

Australian Journal of Public Administration, EarlyView.
Abstract This article surveys the arrival of gameful government into Australian public sector practice. Gameful government is a shorthand, descriptive term denoting the interpenetration of (video)games, and design elements and thinking from them, into public sector work.
David Threlfall, Catherine Althaus
wiley   +1 more source

FOLKLORE MOTIFS IN PIANO MUSIC FOR CHILDREN BY ANATOLY KOLOMIETS

Youth & market, 2023
The article examines certain aspects of the work of the Ukrainian composer Anatoly Kolomiyets. It was found that the composer quite often turned to the use of folklore elements in piano works for young people, in particular in the album “Selected works for piano”.
openaire   +1 more source

Imagination in Critical Theory: Utopia, Ideology, Aesthetics

Constellations, EarlyView.
ABSTRACT This article explores the role of imagination in critical theory, addressing its conceptual ambiguity and its synthesis of three distinct but interrelated strands. The first, rooted in Freud's theory, sees imagination as wish‐fulfillment—necessarily unreal yet foundational to utopian thought.
Markus Gante
wiley   +1 more source

Unsupervised motifs detection in handwritten music scores

, 2019
This thesis is part of the data mining applied to ancient handwritten music scores and aims at a search for frequent melodic or rhythmic motifs defined as repetitive note sequences with characteristic properties. There are a large number of possible variations of motifs: transpositions, inversions and so-called "mirror" motifs.
openaire   +1 more source

Society beyond morality: mimesis, sovereignty, and being not‐human in the Nyau associations of Malawi La société par‐delà la moralité : mimèse, souveraineté et existence non humaine dans les sociétés Nyau du Malawi

Journal of the Royal Anthropological Institute, EarlyView.
Nyau masked dancers embodying a variety of people, animals, and objects appear at many public events in Chewa areas of Malawi. Understood to be the physical manifestation of ancestral spirits, these entities are classified as ‘not human’ and transgress ordinary morality, mocking and threatening audiences.
Sam Farrell
wiley   +1 more source

Disruptive Repentance: Protesting in the Morning Service at Waitangi in 1983

Journal of Religious History, EarlyView.
In 1983 on Waitangi Day, nine Pākehā Christian protesters (including Catholic, Anglican, Presbyterian and Baptist ministers) were arrested and charged with disorderly behaviour for interrupting the morning church service at Waitangi. In solidarity with Māori activists and wider protests, they sought to draw attention to the longstanding failure of the ...
Michael Mawson
wiley   +1 more source

Faithful men and false women: Love‐suicide in early modern English popular print

Gender &History, EarlyView.
Abstract This article explores the representation of suicide committed for love in English popular print in the seventeenth and early eighteenth centuries. It shows how, within ballads and pamphlets, suicide resulting from failed courtship was often portrayed as romantic and an expression of devotion.
Imogen Knox
wiley   +1 more source

Selling soldiering: Marketisation, gender complementarity and the promise of military femininity in 1990s Sweden

Gender &History, EarlyView.
Abstract This article examines the first large‐scale attempts to recruit women as soldiers and officers in 1990s Sweden, focusing on the techniques and promises employed by the Swedish Armed Forces (SAF). Building on a wide range of documents and audiovisual sources, we demonstrate how the SAF utilised various marketing techniques, including ...
Sanna Strand, Fia Cottrell‐Sundevall
wiley   +1 more source

“B. A. C. H. - MISSAL FOR ORGAN”, BY EDUARD TERÉNYI

Studia Universitatis Babeş-Bolyai. Musica, 2009
B. A. C. H. missal for the organ op. 4 (1967) constitutes the prototype of the creation period of the 62s – 72s that is considered by the maestro Eduard Terényi to be “constructivist” or “the crystal music”, that is characterized through symmetry ...
Anamaria Mădălina HOTORAN
doaj  

‘The Good Couscous That Pleases Us!’: The Meanings of Enduring Imperialist Imagery in Postcolonial French Food Advertising, 1970–2000

Gender &History, EarlyView.
ABSTRACT This article examines a wave of Orientalism‐inspired food commercials that appeared on television in France between 1975 and 2000. Older commercials for couscous were more banal, emphasizing a given product's superiority or affordability. Around 1975, however, there was a concerted shift in the advertising; new spots contained exoticized ...
Kelly Ricciardi Colvin
wiley   +1 more source