Results 281 to 290 of about 961,347 (345)

Reality Winners

open access: yes
Critical Quarterly, EarlyView.
Lee Grieveson
wiley   +1 more source

Experience

open access: yes
Critical Quarterly, EarlyView.
Peter Womack
wiley   +1 more source

Motive and Motif in the Church Music of Johann Sebastian Bach

open access: closedTheology Today, 2006
Johann Sebastian Bach stands in a long line of Lutheran composers who used musical forms to convey theological concepts that reaches back to Luther himself. Lutheran theologians and musicians used the Latin formula viva vox evangelii to define their understanding of music as the living voice of the gospel.
A. Leaver Robin
semanticscholar   +4 more sources
Some of the next articles are maybe not open access.

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Composer4Everyone: Automatic Music Generation with Audio Motif

2019 IEEE Conference on Multimedia Information Processing and Retrieval (MIPR), 2019
We introduct Composer4Everyone, a wechat-based application that automatically generates music for a piece of audio recording. A user with little composition experience would also be able to create his own work by a simple interaction of humming, singing or even speaking.
Mei Yaqi   +7 more
openaire   +3 more sources

Music as Motif

open access: closedRenascence, 1962
Dominick Peter Consolo
semanticscholar   +4 more sources

Music As Translation. Musical Motifs in Liebert’s Poetry [PDF]

open access: closedTekstualia, 2019
This article is devoted to analyses of musical motifs in poetry by a Polish author Jerzy Liebert (1901–1934). Two main kinds of metaphorically understood music can be distinguished in his work: the earthly, referring to human fi niteness, and the transcendental, which is the divine music of God.
Maciej Papierski
openalex   +2 more sources

The Beauty of Repetition: An Algorithmic Composition Model With Motif-Level Repetition Generator and Outline-to-Music Generator in Symbolic Music Generation

open access: closedIEEE transactions on multimedia, 2023
Most musical compositions utilize repetition as a fundamental element to create captivating aesthetic experiences. However, the potential of repetition in machine-learning-based algorithmic composition has not been thoroughly investigated.
Zhejing Hu   +5 more
openalex   +2 more sources

Jane Campion: Memory, motif and music

Continuum, 1992
(1992). Jane Campion: Memory, motif and music. Continuum: Vol. 5, Film — Matters of Style, pp. 29-39.
G. Bloustien
openaire   +3 more sources

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