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Musical Motif Discovery from Non-Musical Inspiration Sources

Computers in Entertainment, 2016
Many music composition algorithms attempt to compose music in a particular style. The resulting music is often impressive and indistinguishable from the style of the training data, but it tends to lack significant innovation. In an effort to increase innovation in the selection of pitches and note durations, we present a system that discovers musical ...
Dan Ventura, Daniel Johnson
openaire   +3 more sources

Discovering Motifs with Variants in Music Databases

International Symposium on Intelligent Data Analysis, 2017
Music score analysis is an ongoing issue for musicologists. Discovering frequent musical motifs with variants is needed in order to make critical study of music scores and investigate compositions styles. We introduce a mining algorithm, called CSMA for Constrained String Mining Algorithm, to meet this need considering symbol-based representation of ...
Mylène Pardoen   +6 more
openaire   +4 more sources

Magic Music: A Self-Centered Ballad Motif

Kentucky Romance Quarterly, 1975
(1975). Magic Music: A Self-Centered Ballad Motif. Kentucky Romance Quarterly: Vol. 22, No. 3, pp. 263-292.
E. Rogers
openaire   +3 more sources

Playing with spirituality: the adoption of mulid motifs in Egyptian dance music

open access: closedContemporary Islam, 2008
This study introduces a trend of Egyptian dance music called mulid that is named after festivals held in honor of the Prophet Muhammad, his family, and Muslim saints. Distinct from Islamic pop in its grassroots sound and ambiguous approach to piety, this trend draws musically and lyrically on mulids and the Sufi tradition of inshad (spiritual, ritual ...
Jennifer Lynn Peterson
openalex   +3 more sources

The Language-Character of Music: Some Motifs in Adorno

open access: closedJournal of the Royal Musical Association, 1991
Questions concerning Western art music's relation to language can be seen to arise directly from the most fundamental paradox of so-called ‘autonomous’ or ‘absolute’ musical works: that they seem to say something, the precise meaning of which remains concealed.
Max Paddison
openalex   +3 more sources

Religious Motifs and Existential Reflection in Zbigniew Bujarski’s Chamber Music

open access: closed, 2017
The chamber music of Zbigniew Bujarski (born 1933) comprises four string quartets, composed between 1980 and 2001, and seven compositions for other ensembles written in the period of 1993–2013. Almost all pieces have got titles extending beyond musical terminology.
Ewa Wójtowicz
openalex   +3 more sources

Fantasia Andung Ni Si Boruadi ; Perwujudan Tradisi Andung Batak Toba Ke dalam Komposisi Musik Bentuk Fantasia Tiga Bagian (Fantasia Andung Ni Si Boruadi; Embodiment Of The Andung Batak Toba Tradition Into A Three-Part Fantasia Music Composition)

Musica: Journal of Music, 2023
Andung Ni Si Boruadi  dalam bahasa Batak Toba berarti ratapan seorang gadis adalah sebuah karya komposisi musik  yang berangkat dari reinterpretasi terhadap budaya andung yang ada di masayarakat Batak Toba.
Wulan Puriani Batman Sitorus Pane   +2 more
semanticscholar   +1 more source

Music to Climb By

The Journal of Film Music, 2022
This paper examines the influence of the “climbing motif” that scores the ascent of the Empire State Building in King Kong (1933). Similar rising chromatic lines occur in numerous later film and television sequences involving suspenseful climbs.
Jonathan L. Friedmann
semanticscholar   +1 more source

History Mirrored in a Motif: Grieg's Motif and an Unrecognized Symbol

, 2021
Статья представляет опыт изучения мелодического motto григовской музыки в качестве скрытого музыкально-исторического символа. Автор прослеживает, как мелодический мотив, который норвежский композитор и музыковед Д. М.
Михаил Петрович Мищенко
semanticscholar   +1 more source

Categorization of Musical Motifs in Infancy

Music Perception, 2001
This article reports a study on categorization of music by 6- to 10-month-old infants. In the first experiment, infants were taught to categorize different sequences from a piece by Schubert into two categories. The results obtained were consistent with the categorization hypothesis; however, they did not reach statistical significance. We assumed that
Marc Méélen, Julie Wachsmann
openaire   +2 more sources

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