Results 291 to 300 of about 101,765 (338)

Composer4Everyone: Automatic Music Generation with Audio Motif

2019 IEEE Conference on Multimedia Information Processing and Retrieval (MIPR), 2019
We introduct Composer4Everyone, a wechat-based application that automatically generates music for a piece of audio recording. A user with little composition experience would also be able to create his own work by a simple interaction of humming, singing or even speaking.
Aozhi Liu, Jianzong Wang, Junqing Peng, Yiwen Wang, Yaqi Mei, Xiaojing Liang, Zimin Xia, Jing Xiao   +7 more
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Music As Translation. Musical Motifs in Liebert’s Poetry

Tekstualia, 2019
This article is devoted to analyses of musical motifs in poetry by a Polish author Jerzy Liebert (1901–1934). Two main kinds of metaphorically understood music can be distinguished in his work: the earthly, referring to human fi niteness, and the transcendental, which is the divine music of God.
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Comparing time varying directivity of musical instruments across different musical motifs

Journal of the Acoustical Society of America, 2015
The directionality of a musical instrument can vary in time quite significantly as the instrument is used to play a musical piece, but this behavior has not been well-quantified or compared across instruments and musical motifs in previous research. Prior work conducted at the University of Nebraska has proposed quantifying this behavior by seeing how ...
Madeline A. Davidson, Kristin Hanna, Lily M. Wang   +2 more
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Jane Campion: Memory, motif and music

Continuum, 1992
(1992). Jane Campion: Memory, motif and music. Continuum: Vol. 5, Film — Matters of Style, pp. 29-39.
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Perceived spatial impression from various musical motifs

The Journal of the Acoustical Society of America, 2001
Most of the objective measures which are currently used to quantify spatial impression in auditoria, such as lateral energy fraction (LF), interaural cross-correlation coefficient (IACC) and late lateral relative sound level (GLL), are calculated from an impulse response.
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Musical program auralisation: a structured approach to motif design

Interacting with Computers, 2002
Abstract In an earlier paper, Vickers and Alty (2002) showed that musically untrained users could make use of musical cues to understand computing information. Using a technique known as musical program auralisation, they showed that music could communicate run-time and structural information about Pascal programs.
Paul Vickers, James L Alty
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The Musical Motifs of Vladislav Khodasevich’s The Heavy Lyre

Institute for Russian and Altaic Studies Chungbuk University, 2022
This article analyzes the musical motifs of Vladislav Khodasevich’s fourth poetry book The Heavy Lyre (1922) and reveals what role those motifs play in the collection’s composition and signification. The music-related poems that bookend the collection are clues that hint at the relationship between earthly sounds and heavenly music. In the collection’s
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A language symphony: Sasha Sokolov’s Triptych and its musical motifs

Voprosy literatury, 2021
This article focuses on the characteristics of Sasha Sokolov’s writing and the role that music plays in his verbal composition. Drawing on evidence from the writer’s biography, comments and interviews, it is possible to identify a specific connection between Sokolov’s proezia and his understanding of music composition — a connection that has yet failed
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Magic Music: A Self-Centered Ballad Motif

Kentucky Romance Quarterly, 1975
(1975). Magic Music: A Self-Centered Ballad Motif. Kentucky Romance Quarterly: Vol. 22, No. 3, pp. 263-292.
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Religious Motifs and Existential Reflection in Zbigniew Bujarski’s Chamber Music

2017
The chamber music of Zbigniew Bujarski (born 1933) comprises four string quartets, composed between 1980 and 2001, and seven compositions for other ensembles written in the period of 1993–2013. Almost all pieces have got titles extending beyond musical terminology.
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