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Teaching L’Opéra-Mouffe (1958)

Short Film Studies, 2022
This article describes the advantages of teaching Agnès Varda’s early short film L’Opéra-Mouffe, known in English as Diary of a Pregnant Woman, in an introductory course on film form. This award-winning, sixteen-minute film offers a compelling demonstration of the core characteristics of the essay film, along with readily teachable examples of visual ...
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Chantal Mouffe

2013
Chantal Mouffe’s writings have been innovatory with respect to democratic theory, Marxism and feminism. Her work derives from, and has always been engaged with, contemporary political events and intellectual debates. This sense of conflict informs both the methodological and substantive propositions she offers.
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On the Political ‐ By Chantal Mouffe

Area, 2007
Statement The editors do not necessarily agree with the statements contained in the book reviews, and neither they nor the RGS‐IBG assume responsibility for the reviewers’ assessments of the books that they evaluate.
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Laclau and Mouffe’s Blind Spots:

2022
This reply to Philip Goldstein’s ‘Ernesto Laclau and Chantal Mouffe: the evolution of post- Marxism’ makes the case that Laclau and Mouffe’s work is symptomatic of a flight into abstraction that has muted the genuinely critical aspects of the Marxist tradition and failed both to reflect and guide protest movements in the age of neoliberalism.
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On the Political Chantal Mouffe

2016
วารสารสังคมศาสตร์ มหาวิทยาลัยนเรศวร, 12 ...
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Discourse Analysis and the Post-Structuralism of Laclau and Mouffe

European Political Science, 2002
During the 1970s and the early 1980s structural Marxism, associated with French theorists such as Louis Althusser, Étienne Balibar and Nicos Poulantzas, was very influential amongst leftist political scientists in both Britain and Denmark. Later, many followers of these schools of thought, inspired by the open and undogmatic Marxism of Antonio Gramsci,
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Laclau or Mouffe? Splitting the Difference

Philosophy & Social Criticism, 2003
The majority of those who comment upon the theories of Ernesto Laclau and Chantal Mouffe - both supporters and critics - treat the work of the two authors as a coherent unity. I see acute differences that demarcate the ideas of Laclau and Mouffe: differences that impede any straightforward delimitation of the authorial identity `Laclau and Mouffe'. The
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