Results 41 to 50 of about 33,755 (162)
Dance Evaluation Based on Movement and Neural Network
In terms of music-driven dance movement generation, the music movement matching model and the statistical mapping model have poor fit between the dance generated by the model and the music self.
Yan Lei, Xin Li, Yi Jiao Chen
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Tohshin Go1, Asako Mitani21Center for Baby Science, Doshisha University, Kizugawa, Kyoto, Japan; 2Independent Music Therapist (Poco A Poco Music Room), Tokyo, JapanAbstract: Patients with Rett syndrome are known to respond well to music irrespective of ...
Tohshin Go, Asako Mitani
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Change-Point Detection of Peak Tibial Acceleration in Overground Running Retraining
A method is presented for detecting changes in the axial peak tibial acceleration while adapting to self-discovered lower-impact running. Ten runners with high peak tibial acceleration were equipped with a wearable auditory biofeedback system.
Pieter Van den Berghe +5 more
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Structuring Music-Related Movements [PDF]
The chapter starts by discussing the importance of body movement in both music performance and perception, and argues that for future research in the field it is important to develop solutions for being able to stream and store music-related movement data alongside other types of musical information.
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Editorial: Dance and Disability
Susanne Quinten +2 more
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Objective Cardiac rehabilitation (CR) stands as a crucial therapeutic measure for improving the prognosis of individuals afflicted with cardiovascular ailments.
Yue Zhang +6 more
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Development of auditory and spontaneous movement responses to music over the first postnatal year
Humans across cultures not only share the ability to recognise music but also respond to it through movement. While the sensory encoding of music is well-studied, when and how infants naturally start moving to music is largely unexplored.
Trinh Nguyen +7 more
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Performers and an Active Audience: Movement in Music Production and Perception
Musical communication involves performance and perception processes, both of which engage the sensorimotor system. In much of the performance science literature, however, musical communication is conceptualized as a one-way trajectory from active ...
Laura Bishop, Werner Goebl
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Movement, Music, Feminism [PDF]
Traditionally, explicit discussion of listeners’ bodies and personal experiences does not often appear in the realm of music analytical observations. One of the reasons for this omission is the masculinist bias that, prior to the 1990s, characterized much of the field, and that tended to dismiss metaphorical language, overtly subjective musical ...
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