Results 181 to 190 of about 166,490 (236)
Architecture of the gaze: Jeffries apartment & courtyard [PDF]
Jacobs, Steven
core +1 more source
Valuing art films ˸ french “art et essai” and South Korean “Movie Theater for art films” labels
Seung Kyung Baik
openalex +1 more source
Usual prevention in unusual settings: A scoping review of place-based health interventions in public-facing businesses. [PDF]
Tsai J, McCann NA.
europepmc +1 more source
Analysis of Security Vulnerabilities in the Movie Production and Distribution Process [PDF]
Dave Kormann+4 more
core
Designing Services for Happy Times in a Movie Theater [PDF]
This study intends to change customers' perceptions for producing a "Happy Times in a Movie Theater" service. Two service design tools, service cycle and service blueprint, are utilized in this study. Finally, this study demonstrates a modified theater service.
Xu-Xun Huang+3 more
openaire +1 more source
Some of the next articles are maybe not open access.
Related searches:
Related searches:
Movie Industry Demand and Theater Availability
Review of Industrial Organization, 2019Consumers can only choose to see a movie if it is available in theaters. Explicitly taking into account movie theater availability, we estimate a structural model of movie demand with the use of U.S. movie data from 1995 to 2017. Estimation results indicate that the impact of theater availability on movie demand is both statistically and economically ...
Tin Cheuk Leung, Jia Yuan, Shi Qi
openaire +2 more sources
Revenue management in the context of movie theaters: Is it fair?
Journal of Revenue and Pricing Management, 2014Certain industry characteristics (for example, a relatively fixed capacity, varying and uncertain demand, and perishable inventories) are a prerequisite for a successful implementation of revenue management (RM) practices. Although movie theaters have these characteristics, they have failed to try RM as a pricing strategy.
Choi, Choongbeom+2 more
openaire +3 more sources
War as Movie Theater: Two Films
Film Quarterly, 1971Because their mixtures of material and methods are so volatile and eclectic, what succeeds in many movies is often close to what fails in many others. Trying to view horror through the prism of comedy, Richard Lester came to grief, despite some trenchant moments, with How I Won the War.
openaire +2 more sources