Results 91 to 100 of about 174,317 (309)
EDE TERÉNYI: “TRIBUTE FOR MOZART” (2004) - CONCERT FOR VIOLIN AND ORCHESTRA (CHORD – PERCUSSION)
The genesis of the piece of art is therefore connected to the appeal of the Radio Broadcasting from Bucharest addressed to master Ede Terényi from Cluj-Napoca, to compose a violin concert entitled Tribute for Mozart, with the occasion of celebrating the
Ecaterina BANCIU
doaj
Alla scoperta della storia nella musica d’arte: esperienze di analisi percettiva
In ambito musicale, la trasmissione del sapere deve confrontarsi, soprattutto in Italia, con una diffusa mancanza di preparazione di base anche in contesti formativi di fascia elevata.
Paola Besutti
doaj +1 more source
The Undergraduate Opera Theatre, December 8, 1991 [PDF]
This is the concert program of the Undergraduate Opera Theatre performance on Sunday, December 8, 1991 at 8:00 p.m., at the Concert Hall, 855 Commonwealth Avenue.
School of Music, Boston University
core
Framing European Heritage and Identity: Cultural Policy Instruments of the European Union
Abstract This submission examines the impact of the European Union (EU) policy efforts to construct a European Heritage and a sense of belonging within the wider European population on Heritage policy. The article explores how the EU has selected and wielded instruments that frame particular values that (1) respond to specific policy problems and ...
Anthony R. Zito, Susannah Eckersley
wiley +1 more source
Re-Gendering the Libertine; or, The Taming of the Rake: Lucy Vestris as Don Giovanni on the Early Nineteenth-Century London Stage [PDF]
When Luigi Bassi entered the stage of the Prague National Theatre in 1787 to create the title role of Mozart and Da Ponte's Don Giovanni, he could have drawn inspiration from a rich tradition of theatrical, pantomimic and marionette representations of ...
Appleton +44 more
core +1 more source
ABSTRACT Authenticity is an important and widely used concept in aesthetics. Yet it is also a contested and elusive one. In this article, we clarify the concept of authenticity as it is used in aesthetic discourse. Authenticity, we argue, is a term used to assert the truth of something possessing some contextually relevant feature that it is purported ...
Mark Windsor +1 more
wiley +1 more source
Wolfgang Amadeus Mozart (1756–1791) is considered as one of the greatest composers of the Classical Period of music (ca. 1750–1820). Gifted with an unparalleled precocity, which allowed him to play and compose at the highest levels from a very young age,
Cicero Moraes +6 more
doaj +1 more source
This study analyzes the musical structure of classical ritornello of Mozart’s Concerto in G for Flute, K.131. Problem that is discussed here is where the changing spots of sonata form’s main sections happened in this Mozart work?
Andre Indrawan
doaj +1 more source
Thomas Stumpf, piano Performing the Solo Piano Works of Joannes Chrysostomus Wolfgangus Theophilus Mozart, February 13, 1992 [PDF]
This is the concert program of the Thomas Stumpf, piano Performing the Solo Piano Works of Joannes Chrysostomus Wolfgangus Theophilus Mozart performance on Thursday, February 13, 1992 at 8:30 p.m., at the Concert Hall, 855 Commonwealth Avenue.
School of Music, Boston University
core
Penelitian ini dilatarbelakangi oleh rendahnya hasil belajar sejumlah siswa Sekolah Menengah Pertama di daerah pertanian Kabupaten Bandung dalam matematika, serta masih kurangnya motivasi siswa untuk mempelajari matematika.
Dianne Amor Kusuma
semanticscholar +1 more source

