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Mozart and L’impresario [PDF]

open access: possible, 2013
In May 1856, less than a year after opening, Jacques Offenbach’s Théâtre des Bouffes-Parisiens mounted a production of Mozart’s Der Schauspieldirektor entitled L’Impresario. Originally written in 1786 as a play with music consisting of no more than an overture and four numbers, Der Schauspieldirektor posed problems for would-be performers throughout ...
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THE UNEXPECTED IN MOZART

Music and Letters, 1939
MUSICOGRAPHERS have pointed out the arbitrary, if convenient classification of four very different composers under the title "Viennese School "; we are reminded that the mature work of Haydn and Beethoven had uniquely personal features and that Schubert alone was born Viennese.
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MOZART AND FREEMASONRY

Music and Letters, 1976
On 14 December 1784 Mozart was initiated into the degree of Apprentice at the lodge 'Beneficence' in Vienna. That he wrote a number of works for specifically Masonic occasions and that The Magic Flute is a Masonic allegory, is, of course, well known. In 1738 Pope Clement XII issued an edict banning the Freemasons.
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Mozart and smallpox

Clinical & Experimental Ophthalmology, 2007
AbstractIn 1767 at 11 years of age, composer Wolfgang Amadeus Mozart contracted smallpox, allegedly causing him temporary blindness. Although now eradicated, smallpox in those days had a high mortality rate, and the history of classical music would have been very different if Mozart had become permanently blind, or died, as a result of the disease.
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Discovering Mozart

Nature Methods, 2010
High-throughput imaging of genome-wide RNA interference screens and systematic analysis of protein complexes involved in mitosis yield valuable resources and reveal new subunits of well-characterized complexes.
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A Global View of Mozart - Mozart and Asia

2021
ASIEN: The German Journal on Contemporary Asia, Nr. 80 (2001): ASIEN (Juli)
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MOZART AND THE BASSOON

Music and Letters, 1949
PERHAPS the most interesting point about Mozart and the bassoon is not how he uses it, but how he does not. It is a surprise at first to find so unique and noble an instrument frequently omitted from Mozart's earlier works. This did not arise from ignorance of it, but may have been due to the players, who must often have been rough musicians, and whose
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