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Neurovegetative and Emotional Modulation Induced by Mozart’s Music

Neuropsychobiology, 2022
<b><i>Introduction:</i></b> Since decades, the “Mozart effect” has been studied. However, the diverse effects of Mozart’s music components have not been yet defined. Authors aimed to identify a differential response to short-term exposure to Mozart’s music, or to its rhythmic signature only, on subjective and objective measures.
Di Cesare, Margherita, Tonacci, Alessandro, Bondi, Danilo, Verratti, Vittore, Prete, Giulia, Malatesta, Gianluca, Pietrangelo, Tiziana   +6 more
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The Mozart Effect: Music Listening is Not Music Instruction

Educational Psychologist, 2006
"The Mozart effect" originally referred to the phenomenon of a brief enhancement of spatial-temporal abilities in college students after listening to a Mozart piano sonata (K. 448).
Frances H. Rauscher, Sean C. Hinton
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Mozart's Musical Autobiography

Proceedings of the Royal Musical Association, 1949
IN this paper I am not, primarily, concerned with facts. Some facts I shall state, other possible facts I shall guess at. My principal object is that of raising, and of suggesting an answer to, the question whether what we may call certain psychological possibilities exist.
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Mozart or not? The musical evidence

Cambridge Opera Journal, 2000
The orchestrally accompanied recitative which precedes the aria ‘Vado ma dove’ does contain gestures and harmonies found in Mozart’s accompagnati, yet it differs from his standard practices in a number of respects. Its lack of motivic development, persistent use of unison, and reiteration of chords and arpeggios in the same inversion all diverge from ...
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Mozart’s operas and the myth of musical unity

Cambridge Opera Journal, 1990
The privileged status of Mozart's operas is reflected not only in their prominence in the repertory and in the unceasing flood of publications devoted to them, but even more in their composer's iconic role as arguably our greatest culturehero. Even if we disagree about their dramaturgy and ultimate meanings, or admit the occasional flaw, their ...
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Mozart's Music of Friends

2016
In 1829 Goethe famously described the string quartet as &apos;a conversation among four intelligent people&apos;. Inspired by this metaphor, Edward Klorman&apos;s study draws on a wide variety of documentary and iconographic sources to explore Mozart&apos;s chamber works as &apos;the music of friends&apos;.
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A Recurring Pattern in Mozart's "Music"

Journal of Music Theory, 1983
In classical sonata movements in the major mode the tonal motion of the development section is most often directed back to the dominant, which is then extended for several measures until the return to the tonic. However, in several Mozart works the goal of this motion is not the dominant, but the major triad on the mediant (III#); from there the return
David Beach, null Mozart
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Process and Morphology in the Music of Mozart

Journal of Musicology, 1982
In earlier studies I have suggested that once a patterned process is begun it tends to be continued to a point of relative stability.1 As a result, patterned processes imply more or less specific modes of continuation and more or less probable points of closure or realization. In tonal music there are innumerable instances of such implicative processes:
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Mozart Musical Dice Game

Proceedings of the 54th ACM Technical Symposium on Computer Science Education V. 2, 2022
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MOZART'S INFLUENCE ON ENGLISH MUSIC

Music and Letters, 1961
BY the end of the eighteenth century the galant style of J. C. Bach, strengthened and enriched by Haydn, had become the everyday idiom for all instrumental music in England. The effect of Haydn's symphonies had been immense. Probably it was their orchestration which above all astonished an audience accustomed to the lightweight scoring of J. C.
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