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The Mozarts’ Salzburg Music Library

1997
Abstract The reconstruction and description of music libraries, whether institutional, commercial, or private, has traditionally been a respected musicological endeavour, and for good reason: libraries apparently open otherwise closed doors onto the aesthetic and performance predispositions of different times, places, and societies ...
openaire   +1 more source

Multiple Agency in Mozart’s Chamber Music

The Society for Music Theory Videocast Journal, 2015
Comparisons between the string quartet and artful conversation have flourished since the genre’s birth. If a quartet performance resembles stylized social intercourse, each player may be understood to enact the role of an individual persona engaged in the discourse.
openaire   +1 more source

Mozart Musical Dice Game

Proceedings of the 54th ACM Technical Symposium on Computer Science Education V. 2, 2022
openaire   +1 more source

Music in the brain

Nature Reviews Neuroscience, 2022
Peter Vuust   +2 more
exaly  

Mozart and His Music

Notes, 1960
B. E. Wilson, John N. Burk
openaire   +1 more source

[Mozart's music in the prenatal period].

Ginecologia y obstetricia de Mexico, 2006
Diverse studies demonstrate that the future baby reacts to the sounds and the light in uterus four months before being born, that is to say, he is able to recognize stimulus which was exposed habitually, like the beats of the mothers heart and the voice of the same one when talk him before being born, likewise the music he used to heard during ...
Ulises, Reyes Gómez   +4 more
openaire   +1 more source

Understanding Optical Music Recognition

ACM Computing Surveys, 2021
Jorge Calvo-Zaragoza, Alexander Pacha
exaly  

Reconsidering Amadeus: Mozart as Film Music

2017
Music is indeed an important 'character' in Wolfgang Amadeus Mozart not only because of its extensive appearance but more importantly because of its intriguing role as a narrative and structural element. A good mutilation should consider musical grammar, such as harmony, melody, and rhythm, so that the fragmented and rearranged original may sound ...
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Music of Mozart's Time.

The Musical Times, 1967
Stanley Sadie   +2 more
openaire   +1 more source

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