Results 71 to 80 of about 1,934,428 (181)

Application of Mozart’s Sonata for Two Pianos in D Major in Children with Epilepsy and Effect of Acoustic Quality on Epileptic Discharges

open access: yesNoise and Health
Background: Mozart’s Sonata for Two Pianos in D Major (K448) is a classic double piano work. This study investigated its effect on children with epilepsy (EP) and analyzed the changes in electroencephalography (EEG) among children on the basis of ...
Liping Zheng, Lin Lin, Qinghuang Zeng
doaj   +1 more source

L’émergence de la notion de classique dans la musique chez Amadeus Wendt (1783-1836)

open access: yesCahiers d’Études Germaniques, 2013
According to the romantic writers (Tieck, Wackenroder, Hoffmann), the three masters of Viennese classicism, Haydn, Mozart and Beethoven, developed instrumental music in such a way that music went to full autonomy.
Alexandre Chèvremont
doaj   +1 more source

Exploring EEG and ECG in Music Listening: A Scoping Review

open access: yesPsychophysiology, Volume 63, Issue 9, September 2026.
ABSTRACT Music listening, a common daily activity recognized for its emotional impact and ability to evoke memories, engages physiological and psychological processes. Concurrent electroencephalography (EEG) and electrocardiography (ECG) during music listening can inform our understanding of these processes.
Scott R. Leimroth   +3 more
wiley   +1 more source

Embodied Responses to Harmony and (Poly)Rhythm: An Integrated Ratio‐Based Perception‐Action Framework

open access: yesAnnals of the New York Academy of Sciences, Volume 1562, Issue 1, August 2026.
Harmony and rhythm perception are often studied separately, yet both reveal a shared sensitivity to low‐order integer ratios. In harmony, intervals like the octave (2:1) and fifth (3:2) predict consonance and ease of encoding. In rhythm, patterns with simple ratios (e.g., 2:1, 3:2) are easier to perceive, reproduce, and remember.
Nicola Di Stefano   +2 more
wiley   +1 more source

Music of Mozart, Bach, and Dvorak

open access: yes, 2011
OrchestraPaul Recital Hall, Schmucker Memorial HallOrchestraOverture to the Impresario (Wolfgang Amadeus Mozart); Concerto for Two Violins (Johann Sebastian Bach); Symphony No.
Bach, Johann Sebastian, 1685-1750; Dvořák, Antonín, 1841-1904; Mozart, Wolfgang Amadeus, 1756-1791
core   +1 more source

Music Intervention Leads to Increased Insular Connectivity and Improved Clinical Symptoms in Schizophrenia

open access: yesFrontiers in Neuroscience, 2018
Schizophrenia is a syndrome that is typically accompanied by delusions and hallucinations that might be associated with insular pathology. Music intervention, as a complementary therapy, is commonly used to improve psychiatric symptoms in the maintenance
Hui He   +11 more
doaj   +1 more source

Supporting Children With a Chronic Disease and Their Parents When Admitted to Hospital: A Scoping Review of Psychosocial Supports

open access: yesActa Paediatrica, Volume 115, Issue 7, Page 1322-1372, July 2026.
Importance of psychosocial support. ABSTRACT Aim The aim of this scoping review was to identify, examine, and summarize available evidence regarding psychosocial supports provided to children with a chronic disease when admitted to hospital and their parents. Method The JBI methodology for conducting and reporting scoping reviews was followed.
Lyndsay Jerusha MacKay   +6 more
wiley   +1 more source

An Appreciation of the First Movement of Mozart’s Piano Sonata in D Major, KV.576 [PDF]

open access: yesSHS Web of Conferences
The most outstanding and influential composer of the Viennese classical school is Mozart, and the Piano Sonata in D Major (KV.576) is Mozart's last sonata, written in 1789.
Wang Le
doaj   +1 more source

Austere Moral Ecologies and Artificial Agents

open access: yesModern Theology, Volume 42, Issue 3, Page 592-611, July 2026.
Abstract There are underappreciated moral costs for deploying artificially intelligent agents in our present bureaucratically and market‐structured world. Currently, AI systems lack the interiority and mutual vulnerability required for genuine moral relationality.
Manuel Vargas
wiley   +1 more source

A Quantitative Study of Chromaticism: Changes Observed in Historical Eras and Individual Composers

open access: yesEmpirical Musicology Review, 2007
Music historians have observed informally that Western music became increasingly chromatic between roughly 1600 and 1900. This view is tested formally, and the results are shown to be consistent with the standard view.
Daniel Perttu
doaj   +1 more source

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