Results 211 to 220 of about 72,312 (251)
Some of the next articles are maybe not open access.
Leonardo, 1996
T7 here is a chain of subjects moving through our film and multimedia installation works, creating a multiple mirror effect of expanding gender: from the feminine to the hermaphrodite, and from intersexuality to the concept of the Angel. We have expanded a single gender identity (the feminine) to include a sexual synthesis (the hermaphrodite), which ...
Maria Klonaris, Katerina Thomadaki
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T7 here is a chain of subjects moving through our film and multimedia installation works, creating a multiple mirror effect of expanding gender: from the feminine to the hermaphrodite, and from intersexuality to the concept of the Angel. We have expanded a single gender identity (the feminine) to include a sexual synthesis (the hermaphrodite), which ...
Maria Klonaris, Katerina Thomadaki
openaire +1 more source
Flowers and Tears. On Park Eunyoung’s Installation and Multimedia Theater
2017Park Eunyoung, who was trained in the School of Fine Arts in Paris, likes to quote Mallarme: les fleurs et les pleurs, which suggests that there is a frequent connection between beauty and pain. Her installation gives numerous variations on that theme. It is not just a static installation, but a complete labyrinth where video, Butho dance, calligraphy,
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Meetings of Past and Present: The Installations of Multimedia Artists Hana Iverson and Melissa Shiff
Nashim: A Journal of Jewish Women's Studies & Gender Issues, 2007Recent site-specific installations incorporating video and digital media by artists Hana Iverson and Melissa Shiff provocatively engage women's roles in relation to Jewish history and traditions, cultural and religious. Utilizing many of the strategies that emerged in installation and performance art during the early 1960s and mid-1970s, these artists ...
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Journal of Asia-Pacific Pop Culture, 2018
Abstract Ophelia / Leaves was a performance, spoken word, and sonic/material art installation that reimagined Hamlet’s “to be or not to be” soliloquy from Act 3, Scene 1, as a portal into the psychic landscape of Ophelia. In developing this “cover” version of the thematic and textual essence of Hamlet, the work was reconvened ...
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Abstract Ophelia / Leaves was a performance, spoken word, and sonic/material art installation that reimagined Hamlet’s “to be or not to be” soliloquy from Act 3, Scene 1, as a portal into the psychic landscape of Ophelia. In developing this “cover” version of the thematic and textual essence of Hamlet, the work was reconvened ...
openaire +1 more source
Installation of offshore wind turbines: A technical review
Renewable and Sustainable Energy Reviews, 2021Zhiyu Jiang
exaly
Recommender Systems Leveraging Multimedia Content
ACM Computing Surveys, 2021Yashar Deldjoo +2 more
exaly
QoE Management of Multimedia Streaming Services in Future Networks: A Tutorial and Survey
IEEE Communications Surveys and Tutorials, 2020Alcardo Alex Barakabitze +2 more
exaly

