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Multiple Fundamental Frequency Estimation Of Polyphonic Music Signals
Proceedings. (ICASSP '05). IEEE International Conference on Acoustics, Speech, and Signal Processing, 2005., 2006This article is concerned with the estimation of fundamental frequencies, or F0s, in polyphonic music. We propose a new method for jointly evaluating multiple F0 hypotheses based on three physical principles: harmonicity, spectral smoothness and synchronous amplitude evolution within a single source.
Yeh, Chunghsin +2 more
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Aspects of the Multiple Musical Gestures
2005A simple to use pointer interface in 2D for producing music is presented as a means for real-time playing and sound generation. The music is produced by simple gestures that are repeated easily. The gestures include left-to-right and right-to-left motion shapes for spectral envelope and temporal envelope of the sounds, with optional backwards motion ...
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Multiple Order Functions in Twelve-Tone Music [PDF]
THIS paper is concerned with a particular approach to twelve-tone rhythmic and harmonic structure which is founded upon certain relationships between linear and vertical pitch functions. The pitch functions under discussion are those of the order positions of pitches in twelve-tone sets. The collection of sets under discussion comprises two groups. The
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Initial experiments with Multiple Musical Gestures [PDF]
The classic orchestra has a diminishing role in society, while hard-disc recorded music plays a predominant role today. A simple to use pointer interface in 2D for producing music is presented as a means for playing in a social situation. The sounds of the music are produced by a low-level synthesizer, and the music is produced by simple gestures that ...
Jensen, Kristoffer, Graugaard, Lars
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The Promotion of Multiple Citizenships in China’s Music Education
2016Abstract This chapter analyzes how ideas about multiple citizenship in Chinese school music education are put into practice, interpreted, and negotiated in this age of modernization and globalization. Education for multiple citizenships is made possible by an increasingly relaxed social environment attributable to international free ...
Law, WW, Ho, WC
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Effects of musical tempo on multiple subjective impressions
International Journal of Biometrics, 2010In this study, referring to the previous studies have investigated inverted U-shape in psychological responses for musical tempo, we investigated: 1) change in 10 impressions for musical tempi; 2) effects of musical tempo near to listener's heart rate on the impressions.
Kazuhisa Matsuo, Makoto Fukumoto
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Improved MUSIC Algorithm for Multiple Noncoherent Subarrays
IEEE Signal Processing Letters, 2014This work addresses the direction-of-arrival (DOA) estimation issue with multiple noncoherent subarrays. We use a maximum likelihood approach to derive a weighted MUSIC (w-MUSIC) algorithm for such arrays, which obtains the overall spatial spectrum via combining the weighted MUSIC spectrum of the subarrays.
He-Wen Wei, Fei Wen, Rong Fan, Qun Wan
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Musical Repetition Detection Across Multiple Exposures [PDF]
although music's repetitiveness has been a perennial topic of theoretical and philosophical interest, we know surprisingly little about the psychological processes underlying it. As one step in the larger enterprise of examining the psychology of musical repetition, a preliminary question addresses repetition detection: Which repetitions are listeners ...
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Creating Multiple Sites of Engagement for Music Learning
2020Music education exists in multiple spaces. Within formal approaches to music education in academic institutions, there has been an acknowledgment that more informal pedagogical approaches can be useful (as evidenced in the work of movements such as Musical Futures).
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Emotion Recognition for Internet Music by Multiple Classifiers
2019 IEEE/ACIS 18th International Conference on Computer and Information Science (ICIS), 2019As music databases grow in size and number dramatically with the development of the Internet. Automatic music emotion recognition becomes very important to bridge the semantic gap between acoustic feature of pop music and emotion. In this paper, we got the pop songs from music web site, QQ Music, via crawling technology.
Shutao Sun, Yuanzhong Wang
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