Results 1 to 10 of about 76 (67)

Street Art come patrimonio. Quale musealizzazione? [PDF]

open access: yesOcula, 2017
Ocula presents an interview with Christian Omodeo on Urban Art heritage and the possible ways for its musealisation. One year ago Silvia Viti met Omodeo in Paris and initiated a dialogue with him on the main issues wich stand at the core of this number ...
Silvia Viti, Christian Omodeo
doaj   +2 more sources

Museo e musealizzazione 2.0: l’esempio di “Made in Roma”

open access: yesArcheomatica, 2017
The exhibition “MADE in Roma” inside Trajan’s Markets is based on trademarks of Roman workshops and has allowed us to develop different forms of communication following the target audience: traditional panels, comic strips for children, speaking objects ...
Simone Pastor
doaj   +7 more sources

La musealizzazione della “città nascosta”

open access: yesAnd
La musealizzazione delle rovine sotterranee, definite da sedimentazioni ineludibili e limitazioni spaziali-conservative, richiede speciali pratiche di interpretazione e riconoscimento dei resti archeologici, con le quali ricreare atmosfere emotivo ...
Aldo R.D. Accardi
doaj   +1 more source

Lo studio INKLINK: gusto artistico e precisione scientifica per la comunicazione dei beni culturali

open access: yesArcheomatica, 2017
Communicate curiosity and knowledge through the power of images. Here is the goal that Inklink reach, through the realization of innumerable products and services for the valorisation and dissemination of archaeological cultural heritage and landscaping,
Davide Zucchi, Simone Boni
doaj   +5 more sources

The Effects of Videogame Musealization on Gameplay Experience

open access: yesCinergie, 2020
From the early days of videogame until the early 2000s, videogame play usually took place in two main contexts: the public one (which included video arcades, bars and pubs), and the domestic one, due to the dissemination of home consoles.
Roberto Cappai
doaj   +1 more source

Building on the ruins. Some examples of musealization in archaeological sites

open access: yesFestival dell'Architettura Magazine, 2020
In different contexts, it has been pointed out how a museum is the place where the dichotomy between art and architecture is particularly evident, placing the museum itself as an artistic-architectural object.
Flavia Zelli
doaj   +1 more source

La collezione d’Arte Contemporanea dell’Università degli Studi dell’Insubria: nascita e formazione/The University of Insubria's Contemporary Art Collection: Birth and Formation

open access: yesIl Capitale Culturale: Studies on the Value of Cultural Heritage, 2021
Nel presente contributo è ricostruito il percorso di progettazione, formazione e allestimento della collezione permanente d’arte contemporanea dell’Università degli Studi dell’Insubria di Varese-Como.
Massimiliano Ferrario
doaj   +1 more source

Gli scavi sotto la Basilica di San Giovanni in Laterano: conoscenza, restauro e musealizzazione

open access: yesRestauro Archeologico, 2020
The archaeological excavations under the basilica of Saint John Lateran preserves important remains from the Roman era, domus and castra before the foundation of the Early Christian basilica, dated back between the first and second century AD, as well as
Paolo Liverani   +2 more
doaj   +1 more source

Craco, a Medieval Village. The “Re-invention of Places” Throughout new Forms of Anthropization and Museum Display

open access: yesArcHistoR Architettura Storia Restauro: Architecture History Restoration, 2020
In an age like the present one, marked by a growing sensitivity towards the issues of recovery and enhancement of minor historical centres, abandoned or in the process of depopulation, the case study of the medieval village of Craco is a practical ...
Rossella de Cadilhac   +1 more
doaj   +1 more source

La collezione del Museo del Monte di Portofino: un caso paradigmatico di musealizzazione di affreschi a margine della stagione degli stacchi, tra autenticità e falsificazione/The collection of the Museo del Monte di Portofino: a paradigmatic case of the musealization of frescoes in the margins of the season of the detachments, between authenticity and forgery

open access: yesIl Capitale Culturale: Studies on the Value of Cultural Heritage, 2020
Il contributo presenta la ricostruzione delle vicende legate alla collezione del Museo del Monte di Portofino, presentata al pubblico nel 1974 e costituita da diverse centinaia di strappi di affreschi.
Maria Bassi
doaj   +1 more source

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