Results 21 to 30 of about 252 (113)

L’influence de Paris et de Rome dans la constitution de collections académiques en Europe

open access: yesIn Situ, 2021
The main European academies we founded during the 18th century, with the Paris and Rome academies as their main references, both for their ways of functioning and for their teaching method.
Morwena Joly-Parvex
doaj   +1 more source

Sustainable Museographies – The Museum Shops

open access: yesProcedia Manufacturing, 2015
AbstractOur reflection is on the sustainability of museographies in the 21th century and the role of the museum shops in this area. Products available in the shops of museums, alongside other cultural marketing strategies, the level of service management, spaces and cultural, are a challenge to the museum design in the current context.
Albuquerque, Maria Heloïsa Figueiredo   +1 more
openaire   +1 more source

Interactive museographic narratives

open access: yesTrilogía Ciencia Tecnología Sociedad, 2018
This reflection article is a product of the study titled “La narrativa museográfica basada en el guión curatorial” (INV-ING-2368) funded by the Research Vice-Chancellor’s Office at Universidad Militar Nueva Granada (UMNG ...
Carlos Uriel Aranzazu López   +2 more
doaj   +1 more source

La réception des dispositifs immersifs au sein des expositions. Étude de publics au sein de l'exposition « Osiris, mystères engloutis d’Égypte » à l'Institut du monde arabe.

open access: yesLes Cahiers de l'École du Louvre, 2023
For the past thirty years, museums have been developing new types of exhibitions based on spectacular settings and the desire to “make visitors feel and experience the exhibition’s purpose”.
Floriane Casula
doaj   +1 more source

« Rome n’est plus dans Rome... » mais dans la Cour vitrée

open access: yesIn Situ, 2021
The Musée des Études of the École des Beaux-Arts in Paris is the culmination of a project which Felix Duban spent decades elaborating and which the glass roof of the central courtyard, accomplished by his successor Ernest Coquart, helped complete.
Guillaume Crocquevieille
doaj   +1 more source

La Dama de Elche: cómo nace un icono

open access: yesMélanges de la Casa de Velázquez
Discovered in August 1897, the Lady of Elche quickly became a genuine symbol of Iberian art, supplanting the ex-votos from the Cerro de los Santos that had previously attracted the attention of the academic community, in particular the Great Lady ...
Grégory Reimond
doaj   +1 more source

Contra el tiempo y el olvido: la representación del pasado traumático paraguayo en el Museo de las Memorias

open access: yesCahiers des Amériques Latines, 2019
In this article, we explore the process of reconstruction and representation of Stroessner’s dictatorship in the Paraguayan public space through a concrete institution: the Museum of the Memories.
Sara Sánchez del Olmo
doaj   +1 more source

La difícil permanencia de la impermanencia: una mirada crítica a la exposición de referencia del Museo de Etnografía de Neuchâtel (Suiza) / The Difficult Permanence of Impermanence: A Critical Regard to the Reference Exhibition of the Ethnographical Museum of Neuchâtel (Switzerland)

open access: yesDiferents, 2021
Precursor de la denominada «museología de la ruptura», el Museo de Etnografía de Neuchâtel constituye, aún hoy, una institución singular dentro del panorama museístico europeo.
Sara Sánchez del Olmo
doaj   +1 more source

Exhibiting Japan: Displays and Narratives of Japanese Graphic Design in Paris and Bologna

open access: yesMuseum, Materials and Discussions
In Europe, between 2025 and 2026, the exhibitions Manga. Tout un art! De la tradition japonaise à la pop culture at the Musée Guimet in Paris and Graphic Japan: From Hokusai to Manga at the Museo Civico Archeologico in Bologna celebrated Japanese culture
Federico Maria Giorgi   +1 more
doaj   +1 more source

Contributions to ethnographic museography: the scholar Petre Ștefănucă

open access: yesEthnic traditions and processes, 2021
One of the main figures of the Romanian ethnographic museography of the interwar period was Petre Ștefănucă, the first Bessarabian who developed the concept of an ethnographic museum and for the first time expressed the idea of organizing a Bessarabian ethnographic museum in Chișinău.
openaire   +1 more source

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