Results 161 to 170 of about 3,127,198 (401)
A method for the reproduction of cello bow kinematics using a robotic arm and motion capture
Numerous experimental and theoretical methods have focused on the bow–string interaction in bowed string instruments, including several artificial bowing setups. The current research aims to present an experimental approach to reproduce bowing techniques
Pàmies-Vilà Montserrat+3 more
doaj +1 more source
Faculty recital series: Muir String Quartet, November 30, 2007 [PDF]
This is the concert program of the Muir String Quartet performance on Friday, November 30, 2007 at 12:00 p.m., at the Concert Hall, 855 Commonwealth Avenue. Works performed were Quartet in F major, K.
School of Music, Boston University
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FOLKLORE, MYTHOLOGY AND MUSIC: African Music from the Source of the Nile. Joseph Kyagambiddwa [PDF]
David P. McAllester
openalex +1 more source
Evolving stories of self: Informational transitions and tattoos
Abstract Throughout history, tattoos have served as a means of expressing identity, culture, and preserving information. Beyond their visual appeal, tattoos continue to be used in the modern world as a way for individuals to showcase their identity, honor and remember others, and mark significant events. In this paper, we explore the connection between
Maja Krtalić+2 more
wiley +1 more source
Abstract Objective The aim of this study was to examine the processes involved in a guided self‐help (GSH) pre‐treatment intervention (RecoveryMANTRA) for patients with anorexia nervosa (AN), by measuring the levels of patient/mentor Language Style Matching (LSM).
Gaia Albano+6 more
wiley +1 more source
Overture "Shéhérazade" by Maurice Ravel: Genre and Semantic Projections
The article is devoted to the study of the genre specificity of M. Ravel's overture de féerie "Shéhérazade" (1898) and the identification of its important semantic aspects. The non-traditional genre definition of the composition as an overture de féerie
Valeriya ZHARKOVA+2 more
doaj +1 more source
Boston University Chamber Chorus and Chamber Orchestra, October 8, 2005 [PDF]
This is the concert program of the Boston University Chamber Chorus and Chamber Orchestra performance on Saturday, October 8, 2005 at 8:00 p.m., at the Concert Hall, 855 Commonwealth Avenue. The work performed was "Mass in a Time of War (Paukenmesse)" by
School of Music, Boston University
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The Emotional Aspects and Sympathetic Effects of the Sister Arts — Poetry, Painting, and Music [PDF]
G. A. Osborne
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Abstract This paper reports on findings from 15 semi‐structured interviews with LGBTQIA+ individuals within the United States who have experienced the loss of one or more LGBTQIA+ information spaces. The paper specifically focuses on how such losses occurred and the information transitions experienced by the participants in response to this loss ...
Travis L. Wagner, Vanessa L. Kitzie
wiley +1 more source
Boston University Women's, Chamber and Concert Choirs, Boston University Chamber Orchestra, March 19, 2005 [PDF]
This is the concert program of the Boston University Women's, Chamber and Concert Choirs and Boston University Chamber Orchestra performance on Saturday , March 19, 2005 at 8:00 p.m., at the Concert Hall, 855 Commonwealth Avenue.
School of Music, Boston University
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