Results 281 to 290 of about 999,876 (327)
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EMOPIA: A Multi-Modal Pop Piano Dataset For Emotion Recognition and Emotion-based Music Generation
International Society for Music Information Retrieval Conference, 2021While there are many music datasets with emotion labels in the literature, they cannot be used for research on symbolic-domain music analysis or generation, as there are usually audio files only.
Hsiao-Tzu Hung +5 more
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Achieving Peak Performance in Music, 2020
Music performance involves precise motor control that is coordinated with higher order planning to convey complex structural information. In addition, music performance usually involves motor tasks that are not learned spontaneously (as in the use of the
Sarah Sinnamon
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Music performance involves precise motor control that is coordinated with higher order planning to convey complex structural information. In addition, music performance usually involves motor tasks that are not learned spontaneously (as in the use of the
Sarah Sinnamon
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YIN, a fundamental frequency estimator for speech and music.
Journal of the Acoustical Society of America, 2002An algorithm is presented for the estimation of the fundamental frequency (F0) of speech or musical sounds. It is based on the well-known autocorrelation method with a number of modifications that combine to prevent errors.
A. de Cheveigné, Hideki Kawahara
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Soziale Systeme, 2004
Zusammenfassung Die heuristische Idee, die in diesem Aufsatz verfolgt wird, ist es, das Unschärfe-Phänomen ›Pop‹ als eigentümliches, weltgesellschaftlich operierendes Funktionssystem aufzufassen. Als Sozialsystem reproduziert es eine spezifische (kommunikative) Differenz, die sich dem Medium des ›Songs‹ einschreibt, das Wahrnehmungen ...
Markus Heidingsfelder, Peter Fuchs
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Zusammenfassung Die heuristische Idee, die in diesem Aufsatz verfolgt wird, ist es, das Unschärfe-Phänomen ›Pop‹ als eigentümliches, weltgesellschaftlich operierendes Funktionssystem aufzufassen. Als Sozialsystem reproduziert es eine spezifische (kommunikative) Differenz, die sich dem Medium des ›Songs‹ einschreibt, das Wahrnehmungen ...
Markus Heidingsfelder, Peter Fuchs
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POP909: A Pop-Song Dataset for Music Arrangement Generation
International Society for Music Information Retrieval Conference, 2020Music arrangement generation is a subtask of automatic music generation, which involves reconstructing and re-conceptualizing a piece with new compositional techniques.
Ziyu Wang +7 more
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Foley Music: Learning to Generate Music from Videos
European Conference on Computer Vision, 2020In this paper, we introduce Foley Music, a system that can synthesize plausible music for a silent video clip about people playing musical instruments. We first identify two key intermediate representations for a successful video to music generator: body
Chuang Gan +4 more
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Journal of Singing, 2021
Abstract: This article reviews the following four works by song composers of the twentieth and twenty-first centuries, two of whom created or finished their works during the COVID pandemic; Finnish composer Kaija Saariaho (1952–2023), Saarikoski Songs for Voice and Piano ; Albrecht Mendelssohn Bartholdy’s Songs for Lena (Recent Researches in the Music
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Abstract: This article reviews the following four works by song composers of the twentieth and twenty-first centuries, two of whom created or finished their works during the COVID pandemic; Finnish composer Kaija Saariaho (1952–2023), Saarikoski Songs for Voice and Piano ; Albrecht Mendelssohn Bartholdy’s Songs for Lena (Recent Researches in the Music
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Club Cultures: Music, Media, and Subcultural Capital
, 1995Focusing on youth cultures that revolve around dance clubs and raves in Great Britain and the U.S., Sarah Thornton highlights the values of authenticity and hipness and explores the complex hierarchies that emerge within the domain of popular culture ...
Sarah Thornton
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The Oxford Handbook of Western Music and Philosophy, 2020
“Absolute music” names an idea, an aesthetic concept, a regulative construct, a repertoire, and an aspiration. The term also engages a range of broader claims about aesthetic autonomy, or the possibility of aesthetic experience more generally.
S. Collins
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“Absolute music” names an idea, an aesthetic concept, a regulative construct, a repertoire, and an aspiration. The term also engages a range of broader claims about aesthetic autonomy, or the possibility of aesthetic experience more generally.
S. Collins
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Communication of emotions in vocal expression and music performance: different channels, same code?
Psychological bulletin, 2003Many authors have speculated about a close relationship between vocal expression of emotions and musical expression of emotions. but evidence bearing on this relationship has unfortunately been lacking.
P. Juslin, Petri Laukka
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