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Music Received

Notes, 2022
This column features percussion music by women composers. Names were compiled using the Theodore Front database. Additional names were contributed by Ross Karre, Associate Professor of Percussion, in the Oberlin Conservatory of Music.
K. Abromeit
semanticscholar   +2 more sources

A Computational Model for Rule-Based Microtonal Music Theories and Composition

, 2021
Microtonal music is an influential facet of twentieth and 21st cen tury music composition. Composers that contributed significantly to microtonal music include characters as diverse as Julian Carrillo, Ben Johnston, Harry Partch, Horatiu Radulescu ...
Torsten Anders, E. Miranda
semanticscholar   +1 more source

The Study of Folk Music in the Modern World

, 2021
FOREWORD BY ALAN DUNDES ACKNOWLEDGMENTS INTRODUCTION 1. The Origins of Folk Music, Past and Present 2. Folk Music and Oral Tradition 3. Classification: The Discursive Boundaries of Folk Music 4.
P. Bohlman
semanticscholar   +1 more source

Pop Music Transformer: Beat-based Modeling and Generation of Expressive Pop Piano Compositions

ACM Multimedia, 2020
A great number of deep learning based models have been recently proposed for automatic music composition. Among these models, the Transformer stands out as a prominent approach for generating expressive classical piano performance with a coherent ...
Yu-Siang Huang, Yi-Hsuan Yang
semanticscholar   +1 more source

Music performance

Achieving Peak Performance in Music, 2020
This minor in Performance is intended for the student who has a particular interest in preparing for performing or teaching a particular instrument or voice.
Sarah Sinnamon
semanticscholar   +1 more source

EMOPIA: A Multi-Modal Pop Piano Dataset For Emotion Recognition and Emotion-based Music Generation

International Society for Music Information Retrieval Conference, 2021
While there are many music datasets with emotion labels in the literature, they cannot be used for research on symbolic-domain music analysis or generation, as there are usually audio files only.
Hsiao-Tzu Hung   +5 more
semanticscholar   +1 more source

YIN, a fundamental frequency estimator for speech and music.

Journal of the Acoustical Society of America, 2002
An algorithm is presented for the estimation of the fundamental frequency (F0) of speech or musical sounds. It is based on the well-known autocorrelation method with a number of modifications that combine to prevent errors.
A. de Cheveigné, Hideki Kawahara
semanticscholar   +1 more source

MUSIC, maximum likelihood, and Cramer-Rao bound

IEEE Transactions on Acoustics Speech and Signal Processing, 1989
The performance of the MUSIC and ML methods is studied, and their statistical efficiency is analyzed. The Cramer-Rao bound (CRB) for the estimation problems is derived, and some useful properties of the CRB covariance matrix are established.
P. Stoica, A. Nehorai
semanticscholar   +1 more source

POP909: A Pop-Song Dataset for Music Arrangement Generation

International Society for Music Information Retrieval Conference, 2020
Music arrangement generation is a subtask of automatic music generation, which involves reconstructing and re-conceptualizing a piece with new compositional techniques.
Ziyu Wang   +7 more
semanticscholar   +1 more source

Foley Music: Learning to Generate Music from Videos

European Conference on Computer Vision, 2020
In this paper, we introduce Foley Music, a system that can synthesize plausible music for a silent video clip about people playing musical instruments. We first identify two key intermediate representations for a successful video to music generator: body
Chuang Gan   +4 more
semanticscholar   +1 more source

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