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MUSIC NO MUSIC MUSIC

Soziale Systeme, 2004
Zusammenfassung Die heuristische Idee, die in diesem Aufsatz verfolgt wird, ist es, das Unschärfe-Phänomen ›Pop‹ als eigentümliches, weltgesellschaftlich operierendes Funktionssystem aufzufassen. Als Sozialsystem reproduziert es eine spezifische (kommunikative) Differenz, die sich dem Medium des ›Songs‹ einschreibt, das Wahrnehmungen ...
Markus Heidingsfelder, Peter Fuchs
openaire   +2 more sources

Club Cultures: Music, Media, and Subcultural Capital

, 1995
Focusing on youth cultures that revolve around dance clubs and raves in Great Britain and the U.S., Sarah Thornton highlights the values of authenticity and hipness and explores the complex hierarchies that emerge within the domain of popular culture ...
Sarah Thornton
semanticscholar   +1 more source

Music Reviews

Journal of Singing, 2021
Abstract: This article reviews the following four works by song composers of the twentieth and twenty-first centuries, two of whom created or finished their works during the COVID pandemic; Finnish composer Kaija Saariaho (1952–2023), Saarikoski Songs for Voice and Piano ; Albrecht Mendelssohn Bartholdy’s Songs for Lena (Recent Researches in the Music
openaire   +1 more source

Absolute Music

The Oxford Handbook of Western Music and Philosophy, 2020
“Absolute music” names an idea, an aesthetic concept, a regulative construct, a repertoire, and an aspiration. The term also engages a range of broader claims about aesthetic autonomy, or the possibility of aesthetic experience more generally.
S. Collins
semanticscholar   +1 more source

Communication of emotions in vocal expression and music performance: different channels, same code?

Psychological bulletin, 2003
Many authors have speculated about a close relationship between vocal expression of emotions and musical expression of emotions. but evidence bearing on this relationship has unfortunately been lacking.
P. Juslin, Petri Laukka
semanticscholar   +1 more source

Music, Language, and the Brain

, 2007
1. Introduction 2. Sound Elements: Pitch and Timbre 2.1 Introduction 2.2 Musical Sound Systems 2.3 Linguistic Sound Systems 2.4 Sound Category Learning as a Key Link 2.5 Conclusion Appendixes 3.
Aniruddh D. Patel
semanticscholar   +1 more source

Music! Music! Music! (1950)

2023
While novelty songs spiced up the pop charts in 1950, a teenage sensation, Teresa Brewer, scored a huge hit with “Music! Music! Music,” an indicator of how important the teenage market would become to popular music.
Phil Harris   +2 more
openaire   +1 more source

Music in the brain

Nature Reviews Neuroscience, 2022
P. Vuust   +3 more
semanticscholar   +1 more source

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