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Music Analysis and Music Criticism

2022
This amateur exercise in the philosophy of music—my second, after "Musical Ambiguity and Musical Analysis" (or third, if you count the excursus on Ives and Emerson in the update of my article on The Fourth of July)—was written mostly to clarify for myself, and for anyone else interested, what I think.
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Musical Ambiguity and Musical Analysis [revised]

2022
What do we analyze when we analyze a piece of music? Arguing from the point of view of Wittgenstein's later philosophy (Philosophical Investigations, etc.), and using a somewhat similar method and some of the same concepts (e.g., "playing a game"), this essay asserts that analysis has a distinct role to play apart from providing data to theory. In fact,
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Music Analysis and Music Criticism-FINAL

2022
This is the (slightly) expanded, final version.
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Music Analysis and Image Potentials in Classical Music

Norsk Tidsskrift for Musikkterapi, 1997
Bearbejdet paper fra The Third Nordic Conference on Music Therapy, Jyväskylä (SF) 12-15 June ...
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Musical Ambiguity and Musical Analysis

2018
What do we analyze when we analyze a piece of music? Arguing from the point of view of Wittgenstein's later philosophy (Philosophical Investigations, etc.), and using a somewhat similar method and some of the same concepts (e.g., "playing a game"), this essay asserts that analysis has a distinct role to play apart from providing data to theory. In fact,
openaire   +1 more source

Musical Analysis

The Musical Times, 1959
Arnold M. Whittall, Geoffrey Madell
openaire   +2 more sources

Musical Intelligence Analysis

2012
Based on the temperament and physical properties of melody, we exploit splines, Gaussian function and trigonometric functions to construct two sets of stable bases and give the proof of stability. For both constructed function and real music signal,we can obtain the approximation using these bases.
Rui Che   +3 more
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