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Karl Rahner’s Writings on Literature, Music and the Visual Arts, 2021
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Karl Rahner’s Writings on Literature, Music and the Visual Arts, 2021
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The Musical Quarterly, 1939
OST music-lovers are also book-lovers and book-readers; but it does not necessarily follow that they are book "collectors", either in the wider or narrower sense of that word-even collectors of musical books. Consequently, their interest in book-plates, or exlibris, may be purely academic or even non-existent.
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OST music-lovers are also book-lovers and book-readers; but it does not necessarily follow that they are book "collectors", either in the wider or narrower sense of that word-even collectors of musical books. Consequently, their interest in book-plates, or exlibris, may be purely academic or even non-existent.
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The Book of Revelation in Music and Liturgy
2020This chapter discusses Revelation’s soundscape and meaning as a huge hymn festival around the marriage feast of the Lamb. It is about God’s goodness, mercy, and power over evil in a cosmic view, not a secret code for our calendars. Relationships between the book of Revelation and the church’s liturgy and music are explained, along with influences from ...
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Music and the Book: The Textualisation of Music and the Musicalisation of Text
2020This chapter explores the processes of the textualisation of music (that is, committing music to writing) and the musicalisation of text (or the setting of written words to musical melodies). It considers questions of orality and memory, authority and canonisation, and the wide range of purposes for writing down text and music in the Middle Ages.
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THE DISTRIBUTION OF VENETIAN MUSIC BOOKS
1998AbstractReal money in music publishing lay not with the printing of books, but with their distribution. First and foremost a book merchant, Girolamo Scotto maintained an efficient marketing system involving an established network of publishers, printers, and booksellers that stretched far beyond the confines of Venice.
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The Financing of Venetian Music Books
1998AbstractMusic printing in sixteenth-century Venice was a complicated and multifaceted business. It involved many financial risks and required substantial sums of money. In comparison with other fields, the music book trade did not generate an impressive income.
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The music of the Australian Hymn book
Musicology Australia, 1979Abstract The publication of a hymn book is not often a significant musical event* Such events are sometimes significant for non-musical reasons, as, for example, when Hymns Ancient & Modern: Revised 1904 attracted much adverse newspaper publicity because it printed Charles Wesley's original, ‘Hark, how all the welkin rings!’ instead of ‘Hark!
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Library of Congress Classification: Class M. Music and Books on Music
, 1979L. Coral
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Schirmer's Guide to Books on Music and Musicians; A Practical Bibliography
, 1951Raymond Kendall, R. Darrell
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