Results 21 to 30 of about 114,379 (286)

Feeling backwards? How temporal order in speech affects the time course of vocal emotion recognition

open access: yesFrontiers in Psychology, 2013
Recent studies suggest that the time course for recognizing vocal expressions of basic emotion in speech varies significantly by emotion type, implying that listeners uncover acoustic evidence about emotions at different rates in speech (e.g., fear is ...
Simon eRigoulot   +4 more
doaj   +1 more source

Modulation of Speech Motor Learning with Transcranial Direct Current Stimulation of the Inferior Parietal Lobe

open access: yesFrontiers in Integrative Neuroscience, 2017
The inferior parietal lobe (IPL) is a region of the cortex believed to participate in speech motor learning. In this study, we investigated whether transcranial direct current stimulation (tDCS) of the IPL could influence the extent to which healthy ...
Mickael L. D. Deroche   +3 more
doaj   +1 more source

Visual Influence on Auditory Perception of Vowels by French-Speaking Children and Adults

open access: yesFrontiers in Psychology, 2022
Audiovisual interaction in speech perception is well defined in adults. Despite the large body of evidence suggesting that children are also sensitive to visual input, very few empirical studies have been conducted.
Paméla Trudeau-Fisette   +5 more
doaj   +1 more source

Predicting Variation of Folk Songs: A Corpus Analysis Study on the Memorability of Melodies

open access: yesFrontiers in Psychology, 2017
We present a hypothesis-driven study on the variation of melody phrases in a collection of Dutch folk songs. We investigate the variation of phrases within the folk songs through a pattern matching method which detects occurrences of these phrases within
Berit Janssen   +3 more
doaj   +1 more source

Languages for Computer Music [PDF]

open access: yesFrontiers in Digital Humanities, 2018
Specialized languages for computer music have long been an important area of research in this community. Computer music languages have enabled composers who are not software engineers to nevertheless use computers effectively. While powerful general-purpose programming languages can be used for music tasks, experience has shown that time plays a ...
openaire   +1 more source

Lexical-perceptual integration influences sensorimotor adaptation in speech

open access: yesFrontiers in Human Neuroscience, 2014
A combination of lexical bias and altered auditory feedback was used to investigate the influence of higher-order linguistic knowledge on the perceptual aspects of speech motor control. Subjects produced monosyllabic real words or pseudo-words containing
Nicolas Jean Bourguignon   +7 more
doaj   +1 more source

Constructing music culture [PDF]

open access: yes, 2013
This essay explores the creative possibilities of worldbuilding applied to music. It presents anthropological approaches to analysing music culture, and settles upon four main factors (meaning – situation – performance – content) as a basis for a ...
Jokela, Mikko
core   +1 more source

Functional connectivity in human auditory networks and the origins of variation in the transmission of musical systems

open access: yeseLife, 2019
Music producers, whether original composers or performers, vary in their ability to acquire and faithfully transmit music. This form of variation may serve as a mechanism for the emergence of new traits in musical systems.
Massimo Lumaca   +4 more
doaj   +1 more source

A Planning-based Approach for Music Composition [PDF]

open access: yes, 2015
. Automatic music composition is a fascinating field within computational creativity. While different Artificial Intelligence techniques have been used for tackling this task, Planning – an approach for solving complex combinatorial problems which can
Vallati, Mauro, Velardo, Valerio
core   +3 more sources

Perception of Nigerian Dùndún Talking Drum Performances as Speech-Like vs. Music-Like: The Role of Familiarity and Acoustic Cues

open access: yesFrontiers in Psychology, 2021
It seems trivial to identify sound sequences as music or speech, particularly when the sequences come from different sound sources, such as an orchestra and a human voice.
Cecilia Durojaye   +8 more
doaj   +1 more source

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