Results 1 to 10 of about 453,450 (213)

Musical Manipulations and the Emotionally Extended Mind [PDF]

open access: yesEmpirical Musicology Review, 2015
I respond to Kersten's criticism in his article "Music and Cognitive Extension" of my approach to the musically extended emotional mind in Krueger (2014).
Joel Krueger
doaj   +2 more sources

MUSIC QUOTATION IN CONTEMPORARY NON-ACADEMIC ART: ASPECTS OF GENRE AND STYLE TRANSFORMATION [PDF]

open access: yesStudia Universitatis Babeş-Bolyai. Musica, 2023
The problematic field of the article focuses on aspects of genre and style transformation of well-known musical content that is recognizable and stylistically significant. In contemporary non-academic art, the established semantics of the original source
Violetta ARTEMENKO
doaj   +1 more source

Influence of the Choreographic Art on the Wind Solo Musical Compositions [PDF]

open access: yesAnastasis: Research in Medieval Culture and Art, 2023
The purpose of this scientific article is the detection of various influences from theatrical choreographic art on wind solo compositions as well as the revealing of their functions in the academic masterpieces by the Ukrainian and foreign composers of ...
Valerii Hromchenko   +2 more
doaj   +1 more source

The Roman Catholic Liturgy and Its Role in the Composer’s Missa Formation [PDF]

open access: yesAnastasis: Research in Medieval Culture and Art, 2021
A number of interdependent problems was solved in this study: the missa concept meanings’ system definition in the context of the Roman Catholic liturgy; the order of the missa’s musical sections in the liturgy’s structure; the invariant-variant nature ...
Olena Roshchenko   +1 more
doaj   +1 more source

MUSIC FESTIVALS IN MODERN ITALY DURING THE COVID-19 PANDEMIC

open access: yesStudia Universitatis Babeş-Bolyai. Musica, 2022
This study analyses one of the complex problems of modern artistic discourse – the functioning of a music festival as a special form of intercultural dialogue and its integration into a modern cultural medium.
Olena PONOMARENKO
doaj   +1 more source

STYLISTICS OF IMPRESSIONISM IN THE SONG CYCLES OF LESIA DYCHKO “PASTELS” AND “ENHARMONIC” ON THE POEMS BY PAVLO TYCHYNA

open access: yesStudia Universitatis Babeş-Bolyai. Musica, 2021
The aim of the work is to determine the influence of the characteristic features of the linguistic and style environment of the second half of the twentieth century on the development of Lesia Dychko's creative personality (on the example of the song ...
Oksana PYSMENNA   +2 more
doaj   +1 more source

UKRAINIAN MUSIC CRITICISM OF THE 2010s: GENERAL SITUATION, PROBLEMS, DIRECTIONS OF DEVELOPMENT (BASED ON THE EXAMPLES FROM CONTEMPORARY ART MUSIC SCENE)

open access: yesStudia Universitatis Babeş-Bolyai. Musica, 2022
The paper focuses on the 2010s in the history of Ukrainian music criticism. The materials on contemporary art music were chosen to support the authors’ reflections and conclusions.
Iryna TUKOVA   +2 more
doaj   +1 more source

User d’une ontologie sans la formuler : une réflexion sur la critique musicale

open access: yesAisthesis, 2014
In spite of numerous philosophical papers concerning this topic, the philosophical approach of music criticism has not been carefully considered. For this purpose, I study in this paper the relationships between ontology of music and music criticism.
Julien Labia
doaj   +3 more sources

Serbian music criticism in the first half of the twentieth century: Its canon, its method and its educational role [PDF]

open access: yesMuzikologija, 2008
Serbian music criticism became a subject of professional music critics at the beginning of the twentieth century, after being developed by music amateurs throughout the whole previous century.
Vasić Aleksandar
doaj   +1 more source

Art to Commerce: The Trajectory of Popular Music Criticism [PDF]

open access: yesIASPM Journal, 2014
This article reports the results of a content and textual analysis of popular music criticism from the 1960s to the 2000s to discern the extent to which criticism has shifted focus from matters of music to matters of business.
Thomas Conner, Steve Jones
doaj   +1 more source

Home - About - Disclaimer - Privacy