Results 51 to 60 of about 453,450 (213)
Boston University Symphony Orchestra, October 5, 1999 [PDF]
, 1999 This is the concert program of the Boston University Symphony Orchestra performance on Tuesday, October 5, 1999 at 8:00 p.m., at the Tsai Performance Center, 685 Commonwealth Avenue. Works performed were Overture to Genoveva, Op.
School of Music, Boston University
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The Romantic Heritage and the Concept of the Post-Romantic in Literature and Music [PDF]
, 2003 Zadanie pt. „Digitalizacja i udostępnienie w Cyfrowym Repozytorium Uniwersytetu Łódzkiego kolekcji czasopism naukowych wydawanych przez Uniwersytet Łódzki” nr 885/P-DUN/2014 dofinansowane zostało ze środków MNiSW w ramach działalności upowszechniającej ...
Pestka, Dariusz
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Introduction: Reaffirming Critical Theory for Social Justice in Music Education
Action, Criticism and Theory for Music Education, 2016 This introduction to ACT 15 (5) reaffirms the social justice focus of critical theory and, hence, the centrality of social justice in Action, Criticism, and Theory for Music Education.
Vincent C. Bates
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Another Look at the Aesthetics of the Popular Arts [PDF]
, 1988 About twenty years ago, Abraham Kaplan delivered a lively and memorable paper to the American Philosophical Association on the aesthetics of the popular arts.
Lawry, Edward G.
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Edward Said and the Margins [PDF]
, 2012 Edward Said was the quintessential intellectual of the last quarter of the twentieth century. Commonly celebrated as the founding figure of postcolonialism, his critical oeuvre spans varied terrain. The very strength of his critique lies in these diverse
Thomas, Tom
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UKRAINIAN FOLK INFLUENCES IN CONTEMPORARY CLASSICAL MUSIC: TRENDS AND PROSPECTS
Studia Universitatis Babeş-Bolyai. MusicaThe world’s folk art is one of the most significant topics in contemporary cultural practice, requiring careful analysis, as it is directly related to the processes of globalization, market transformations, and commerce.
Kateryna ONYSHCHENKO +4 more
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Three Little Words and the Critical Argument of The Best Show on WFMU
Angles, 2015 Tom Scharpling was the longtime host (October 2000 - December 2013) of The Best Show on WFMU, a music/comedy program that originated on listener-supported New Jersey radio station WFMU and became internationally popular through Internet streaming and ...
Thomas Britt
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, 2013 At MayDay Group Colloquium 24 in East Lansing, MI, Sandra Stauffer (2012) charged that: If we want change, we need to start telling different stories . . . we work with beginning teachers, and we worry about teacher identities.
Talbot, Brent C.
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Biography and the New Musicology [PDF]
, 2010 Traditional musicology has long resisted biographical interpretations in favor of formalistic approaches. While the so-called “New Musicology” has more recently redressed this imbalance by encouraging the contextualization of music, including critical ...
Wiley, C.
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Journal of Educational, Cultural and Psychological Studies, 2019 The article examines a university course held in 1978 by the music critic Fedele d’Amico (Rome, 1912 - Rome, 1990) at the Faculty of Letters of the University of Rome La Sapienza. The course offers a reading of the twentieth century, through the analysis
Raffaele Pozzi
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