Results 61 to 70 of about 453,450 (213)
Fighting a Resurgent Hyper-Positivism in Education is Music to My Ears
, 2015 In this article, I argue that one of the gifts of the Age of Enlightenment, the ability to measure, to experiment, to predict—turned rancid by hyper-positivism—is re-asserting itself globally in the field of education (including music education). I see a
Williams, Hakim Mohandas Amani
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Review of: Nick Zangwill, Music and Aesthetic Reality. Formalism and the Limits of Description, Routledge, 2015, [PDF]
, 2015 Review of: Nick Zangwill, Music and Aesthetic Reality: Formalism and the Limits of ...
Czarnecki, JAN WAWRZYNIEC
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Seeking Rights, Not Rent: How Litigation Finance Can Help Break Music Copyright\u27s Precedent Gridlock [PDF]
, 2017 Since its inception, litigation finance has steadily grown in prevalence and popularity in the United States. While many scholars have examined its merits, few have considered litigation finance specifically in the context of copyright law.
Chappell, Glenn E.
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The work of Vojin Komadina in the repertoire of the Zagreb Music Biennale [PDF]
Zbornik Radova Akademije UmetnostiIn 1961, the first Zagreb Music Biennale (MBZ) was held in Yugoslavia, an international festival of contemporary music with two main objectives: to familiarize the domestic audience with contemporary musical endeavors worldwide and to contribute to the ...
Marinković Miloš +1 more
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Discourse Analysis as Potential for Re-Visioning Music Education
, 2013 Discourse analysis holds great potential for re-visioning the field of music education. This paper explores works from Foucault, Blommaert, Scollon and Scollon, as well as others, to suggest a theoretical and methodological approach to analyzing ...
Talbot, Brent C.
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“Charleston, Goddam”: An Editorial Introduction to ACT 14.2
, 2015 In this editorial, I trace the events following the tragic and racist shootings that occurred at the A.M.E. church in Charleston, South Carolina on June 17, 2015.
Talbot, Brent C.
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Unpleasant Operas or French Music Drama as Heard by Corno Di Bassetto
Cahiers Victoriens et Edouardiens, 2017 The status of George Bernard Shaw as an opera critic—a position he filled under the pen-name ‘Corno Di Bassetto’ in different periodicals such as The Star and The World—has been somewhat overlooked in the canon of late Victorian journalism.
Eduardo Valls Oyarzun
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Requests of Brown by LC Classification: June 2014 [PDF]
, 2014 Requests of Brown from other HELIN libraries - June ...
Souto, Ruth E..
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Cambio, identidad y crítica: el candombe en el movimiento de la Música Popular Uruguaya
Cahiers d’études des cultures ibériques et latino-américaines, 2016 In the sixties, Uruguayan Popular Music experienced an exceptional process of change, in a parallel course to the raise and development of civic-military dictatorship, which runs until 1984.
Olga Picún
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