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1982
The state of English poetry before the new styles were imported from Italy is vividly exemplified by the verse of that lively, caustic, and often bawdy cleric John Skelton (c. 1460–1529). Highly regarded in his day as poet and scholar, and a laureate of both Oxford and Cambridge universities, he was singled out for praise by Caxton and Erasmus as a ...
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The state of English poetry before the new styles were imported from Italy is vividly exemplified by the verse of that lively, caustic, and often bawdy cleric John Skelton (c. 1460–1529). Highly regarded in his day as poet and scholar, and a laureate of both Oxford and Cambridge universities, he was singled out for praise by Caxton and Erasmus as a ...
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At the Border of Poetry and Music
Resonance, 2022This essay examines Ilmar Laaban’s “Ciel Inamputable” in the context of developing text-sound composition in Sweden during the 1960s and spectral analysis. Laaban’s improvisatory work is analyzed using primary source material and a “theory of oppositions” as codified by American music theorist Robert Cogan. The essay connects the scientific work of the
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Swinburne on “The Music of Poetry”
PMLA/Publications of the Modern Language Association of America, 1957More than any other critic of his day, Algernon Charles Swinburne judged poetry by its music, but, because Swinburne is so often ignored as a critic, much of what he had to say on this most elusive subject remains buried in his involved critical prose.
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The Musical Poetry of the Graveyard
2020This chapter explores late-eighteenth-century musical responses to German and English texts on death and dying, presenting a musical aesthetics of the graveyard that ranges from horror to consolation, from the intensely corporeal to the transcendent and disembodied.
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“The music of what happens” in poetry and psychoanalysis
The International Journal of Psychoanalysis, 1999The author presents a close reading of a Frost poem and a detailed discussion of an analytic session. Using specific examples from the poem and from the analytic session, he then offers some thoughts concerning the relationship between the way he listens to the language of the poem and the way he and his patient speak with and listen to one another ...
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FemPoetiks of American Poetry and Americana Music
2021From the poems of Anne Bradstreet, Phillis Wheatley, and Emily Dickinson emerges what the author calls FemPoetiks, a discourse of female empowerment. Situating the work of these poets in their historical eras, Linda Nicole Blair considers a sampling of their poems side-by-side with a number of song lyrics by singer-songwriters Brandi Carlile, Rhiannon ...
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The Poetry and Music of Joaquín Sabina
2020The Poetry and Music of Joaquín Sabina: An Angel with Black Wings is a thoroughly researched exploration of the life, music, and song lyrics of the celebrated Spanish singer-songwriter Joaquín Sabina. Often called “the Spanish Dylan,” Sabina has established his own highly poetic space over the course of his forty-plus years as a recording artist. Using
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Some lines of poetry viewed as music
1991We propose to take literally the notion that poetry aspires to the state of music. Our point of departure is the “deep parallel” between music and language discussed in section 12.3 of Lerdahl & Jackendoff’s A Generative Theory of Tonal Music (henceforth GTTM), where a mapping is shown between prosodic trees, which represent syllabic stress hierarchies
F. Lerdahl, J. Halle
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Lower secondary students’ poetry writing with the AI-based Poetry Machine
Computers and Education Artificial Intelligence, 2022Arja Kangasharju +2 more
exaly