Results 71 to 80 of about 4,479 (246)

L’enargeia musicale ou les modalités d’une ut musica poesis dans The Arte of English Poesie de George Puttenham (1589)

open access: yesEtudes Epistémè, 2010
Puttenham’s Arte of English Poesie is unique, for it is a poetic art which conceives and defines poetry as a musical art. In the wake of the numerous apologies of vernacular poetry in Europe, its author aims at demonstrating the aptness of the English ...
Laïla Ghermani
doaj   +1 more source

Musical Metaphors in the Poetry of Wallace Stevens

open access: yesELOPE: English Language Overseas Perspectives and Enquiries, 2016
Wallace Stevens’s “The Man with the Blue Guitar” (1937) is widely recognized as one of the most important and influential poems of the 20th century. Inspired by Picasso’s painting The Old Guitarist, the poem in turn inspired Michael Tippett’s sonata for solo guitar, “The Blue Guitar” (Tippett 1983) and David Hockney’s The Blue Guitar: Etchings by David
openaire   +3 more sources

Haunting the Historiography of Slaves in South Asia from the nineteenth century to the present

open access: yesGender &History, EarlyView.
ABSTRACT Using both English and Urdu‐language records, this article traces the career of a few African and Afro‐Asian women slaves in the household‐state of Awadh during the first half of the nineteenth century. Focusing on the same records, this article compares a master‐poet's recognition of the motherhood of the African and Afro‐Asian slaves to the ...
Indrani Chatterjee
wiley   +1 more source

Le croisement des arts dans la poésie de Léopold Sédar Senghor [PDF]

open access: yesRevue Roumaine d’Etudes Francophones, 2019
In Senghor's poetry, different arts are intermingled, drawing on African artistic heritage. These songs generate harmony between the spoken word and the musicality of the poem.
Abderrahim TOURCHLI
doaj  

‘Enthusiasts’ and ‘Fanatics’: The Decembrists as a Case Study in French Influence on Russian Culture, Emotions and Thought

open access: yesHistory, EarlyView.
Abstract Participants in Russia's 1825 Decembrist uprising against the Tsarist regime were, quite literally, a case study in French cultural influence upon Russia. This is particularly true as it relates to Russia's emotional cultures. Although this has not, traditionally, been the primary focus of historical analysis of this event (in Soviet or ...
ADAM COKER
wiley   +1 more source

TROPICAL FRENCH THEORY: Henri Lefebvre and the Reinvention of Urban Planning in Havana, Cuba (1968–1971)

open access: yesInternational Journal of Urban and Regional Research, EarlyView.
Abstract Contributing to global urban history, planning theory and the geography of ideas, this article discusses the travels of Henri Lefebvre’s The Right to the City in the wake of May 1968, in France. That year, under the direction of Mario González and Max Baquero, a small team including the Italian architect Vittorio Garatti, French planner Jean ...
William Kutz
wiley   +1 more source

Music Creation Environment of Music Poetry [PDF]

open access: yesProceedings of the 2017 International Conference on Art Studies: Science, Experience, Education (ICASSEE 2017), 2018
Xinglong Guo, Yanshuang Hou
openaire   +1 more source

"Words and Music Boundaries: Conrad Aiken and his Ambiguous Musicality of Poetry"

open access: yesComparatismi, 2017
• The American Modernist poet Conrad Aiken attempted not only a thematic rapprochement with music, but also what is usually described as 'musicalization of fiction,' that is to say a more formal type of intermediality. By this token, Aiken occupies a specific place in literary history as an author of formal musical borrowings. Yet, paradoxically, Aiken'
openaire   +4 more sources

Convertibility of Cultural Capital: A Longitudinal Study of University Students From 2017 to 2024

open access: yesThe British Journal of Sociology, EarlyView.
ABSTRACT A defining feature of cultural capital is its propensity for accumulation and the potential of its convertibility. However, there are a lack of studies that would explore how different forms of cultural capital could be employed as an advantage.
Ondřej Špaček
wiley   +1 more source

‘I, Me, Myself’: Selfhood and Melancholy in the Journals of Gertrude Savile (1697–1758)

open access: yesJournal for Eighteenth-Century Studies, EarlyView.
Abstract This article examines the journals of Gertrude Savile from 1727 in light of recent scholarship on early modern and eighteenth‐century melancholy. The concept had myriad associations with medicine, physiology, the imagination, and feeling, but questions remain about how melancholy during this period was considered by those outside the narrow ...
Daniel Beaumont
wiley   +1 more source

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