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Music Derived from Other Sources

open access: yesJournal of Science and Technology of the Arts, 2021
One imagines composed music as originating in the mind of an author. Indeed, I have for the last six decades been composing music in this fashion. However, for the last five decades I have also been repeatedly attracted to various methods of deriving ...
Clarence Barlow
doaj   +1 more source

Who are the Music Therapists in Mexico and How Do They Practice?

open access: yesVoices, 2023
Music therapy in Mexico has a limited history, with isolated efforts to establish the discipline, lack of university programs, and limited public awareness of the profession.
Eugenia Hernandez-Ruiz, Jill Sullivan
doaj   +1 more source

Available research on the use of backgrpund music during studying, and the effects of music training in learning

open access: yesRevista de Psicología y Ciencias del Comportamiento de la Unidad Académica de Ciencias Jurídicas y Sociales, 2020
This study aimed to analyze two essential aspects of music in learning. On the one hand, the effects of the use of background music during academic studying. And, on the other hand, the effects of music training in learning.
Daniel Cantú Cervantes
doaj   +1 more source

Automatic composition of Guzheng (Chinese Zither) music using long short-term memory network (LSTM) and reinforcement learning (RL)

open access: yesScientific Reports, 2022
In recent years, with the advance of Artificial Intelligence, automatic music composition has been demonstrated. However, there are many music genres and music instruments.
Shuling Chen, Yong Zhong, Ruxu Du
doaj   +1 more source

Simultaneous self-other integration and segregation support real-time interpersonal coordination in a musical joint action task

open access: yesActa Psychologica, 2021
The ability to distinguish between an individual's own actions and those of another person is a requirement for successful joint action, particularly in domains such as group music making where precise interpersonal coordination ensures perceptual ...
Hannah Liebermann-Jordanidis   +3 more
doaj   +1 more source

Hear After: Matters of Life and Death in David Tudor’s Electronic Music

open access: yescommunication +1, 2014
In David Tudor’s electronic music, home-brew modular devices were carefully connected together to form complex feedback networks wherein all components—including the composer/performer himself—could only partially ‘influence’ one another. Once activated,
You Nakai
doaj   +1 more source

Behavioural responses of piglets to different types of music

open access: yesAnimal, 2019
Music or other background sounds are often played in barns as environmental enrichment for animals on farms or to mask sudden disruptive noises. Previous studies looking at the effects of this practice on non-human animal well-being and productivity have
X. Li   +8 more
doaj   +1 more source

Early Music Recordings as Mythography: Monteverdi and the ‘Other’ Vespers

open access: yesMuzyka, 2020
In 1989, at St Mark’s Basilica in Venice, John Eliot Gardiner conducted and recorded Claudio Monteverdi’s Marian Vespers, published in 1610. Despite the print’s dedication to Pope Paul V, the three-year gap between the print being issued and Monteverdi ...
Bartłomiej Gembicki
doaj   +1 more source

Missing the Wrong Target: On Andrew Bowie’s Rejection of the Philosophy of Music

open access: yesPerformance Philosophy, 2015
Andrew Bowie rejects the philosophy of music. He does so because it (allegedly) objectifies music and because it (allegedly) only ever affirms the practitioner’s prior philosophical assumptions.
Tomas McAuley
doaj   +1 more source

EEG-based classification of natural sounds reveals specialized responses to speech and music

open access: yesNeuroImage, 2020
Humans can easily distinguish many sounds in the environment, but speech and music are uniquely important. Previous studies, mostly using fMRI, have identified separate regions of the brain that respond selectively for speech and music.
Nathaniel J. Zuk   +2 more
doaj   +1 more source

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