Results 41 to 50 of about 2,925,445 (241)
Cross-modal plasticity in a blind jazz pianist and prodigy
Musical improvisation requires complex cognitive operations, including idea generation, retrieval, and evaluation, supported by continuous sensory feedback.
Karen Chan Barrett +7 more
doaj +1 more source
Here, we present a textile, wearable capacitive interface enabling multidirectional remote control by dynamically modulating electrode overlap and spacing via a freely gliding upper electrode. A forearm‐mounted prototype drives robotic and media tasks with 12–15 ms latency, maintains < 0.8% drift after 500 cycles, and remains stably functional at 90 ...
Cagatay Gumus +8 more
wiley +1 more source
Flexible Sensors for Robotics Tactile Perception: A Review
Flexible tactile sensing for robotics is reviewed through four interconnected dimensions. Physical mechanisms include piezoresistive, capacitive, piezoelectric, triboelectric, iontronic, and optical sensing. Structural design includes bioinspired, defect‐based, and MEMS‐based tactile systems.
Yu Song, Ying Chen, Yihao Chen, Xue Feng
wiley +1 more source
Developing a modular approach to music [PDF]
The commentary deals with the two principal areas of my compositional work from 1996- 2003: short pieces and modularity. Taking a survey of compositional durations as a starting point, assumptions related to duration are discussed in the context of ...
Saunders, James
core +4 more sources
In the investigation of musical features that influence musical affect, timbre has received relatively little attention. Investigating affective timbres as they vary between instrument families can lead to inconsistent results, because one instrument ...
Iza Ray Korsmit +3 more
doaj +1 more source
DExter: Learning and Controlling Performance Expression with Diffusion Models
In the pursuit of developing expressive music performance models using artificial intelligence, this paper introduces DExter, a new approach leveraging diffusion probabilistic models to render Western classical piano performances.
Huan Zhang +5 more
doaj +1 more source
The influence of body movements on children's perception of music with an ambiguous expressive character. [PDF]
The theory of embodied music cognition states that the perception and cognition of music is firmly, although not exclusively, linked to action patterns associated with that music. In this regard, the focus lies mostly on how music promotes certain action
Pieter-Jan Maes, Marc Leman
doaj +1 more source
Minimalism and time: the perception of temporality in American minimalist music from1958 to 1974 [PDF]
This thesis examines the ways in which American minimalist music affects the listener's perception of temporality by applying the phenomenological approach, particularly that of Husserl, to the music of La Monte Young, Terry Riley, Steve Reich and Philip
Paul Smith, Andrew
core
Brain Network Dynamics of Local and Global Predictive Processing in Aging
Separation of concurrent whole‐brain networks in source‐reconstructed magnetoencephalography (MEG) data suggests that healthy aging reorganizes, rather than uniformly attenuates, neural responses elicited from hierarchical auditory violations. Enhanced early sensory deviance processing alongside reduced higher‐order cognitive responses suggests a large‐
Mathias Houe Andersen +9 more
wiley +1 more source
The integration of stimulus dimensions in the perception of music [PDF]
A central aim of cognitive psychology is to explain how we integrate stimulus dimensions into a unified percept, but how the dimensions of pitch and time combine in the perception of music remains a largely unresolved issue. The goal of this study was to
Prince, J.B.
core

