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Advances in Cognitive Psychology, 2006 The ability to perform music is widespread in the gen-eral population (e.g. singing), but few individuals develop a high level of musical proficiency. Skilled mu-sicianship typically requires decades of regular prac-tice, estimated at 10,000 hours (Ericsson, Krampe, & Tesch-Römer, 1996; Howe, Davidson, & Sloboda, 1998). Through this prolonged engagement
Thompson, W. +2 more
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Neurology of musical performance [PDF]
Clinical Medicine, 2008 Performing music at a professional level requires the integration of multimodal sensory and motor information and precise monitoring of the performance via auditory feedback. In the context of Western classical music, musicians are forced to reproduce highly controlled movements almost perfectly with a high reliability.
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Empirical Musicology Review, 2013 The first part of this paper reviews literature on the use of gesture in musical contexts and reports an investigation of the gestures (spontaneous gesticulation) made by musicians with different levels of hearing impairment in rehearsal talk. Profoundly
Robert Fulford, Jane Ginsborg
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Developing Familiarity in a New Duo: Rehearsal Talk and Performance Cues
Frontiers in Psychology, 2021 Context and Aims: Social and cognitive processes underlying individual classical musicians' and duo performers' preparation for performance have been explored using longitudinal case studies.
Jane Ginsborg, Dawn Bennett
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Complexity Measures of Music [PDF]
, 2017 We present a technique to search for the presence of crucial events in music, based on the analysis of the music volume. Earlier work on this issue was based on the assumption that crucial events correspond to the change of music notes, with the ...
Mahmoodi, Korosh +2 more
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Fit to Perform: A Profile of Higher Education Music Students’ Physical Fitness
Frontiers in Psychology, 2020 The physical demands of music making are well acknowledged, but understanding of musicians’ physical and fitness profiles is nonetheless limited, especially those of advanced music students who are training to enter music’s competitive professional ...
Liliana S. Araújo +10 more
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Orchestration of Proper Piano Pieces as a Self-Interpretation
Studia Universitatis Babeş-Bolyai. Musica, 2023 The study is focused on the problem of composers’ self-interpretation in the orchestrations of their own piano pieces. This specific case of a creative re-thinking contains not only adaptation of a piano score to orchestral instruments, but also adding ...
Boryslav STRONKO
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, 2021 Abstract Performing Music Research is a comprehensive guide to research in music performance. It reviews the knowledge and skills needed to critique existing studies in music education, psychology, and performance science, and to design and carry out new investigations.
Williamon, A. +3 more
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Using Generic Summarization to Improve Music Information Retrieval Tasks [PDF]
, 2016 In order to satisfy processing time constraints, many MIR tasks process only a segment of the whole music signal. This practice may lead to decreasing performance, since the most important information for the tasks may not be in those processed segments.
de Matos, David Martins +2 more
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Emotion Regulation Processes Can Benefit Self-Regulated Learning in Classical Musicians
Frontiers in Psychology, 2020 Self-regulated learning (SRL) is the degree to which students are metacognitively, motivationally, and behaviourally active participants in their own learning process.
Ugne Peistaraite +2 more
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